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"Sankaran examines the cultural and social matrix in which Carnatic music was cultivated and consumed in mid-twentieth century India, including the ways that musicians negotiated caste politics and the double standard for male and female musicians. Sankaran's memoir is interwoven with passages from Daniel M. Neuman's work on music in North India, which inspired Sankaran's project, and interviews with Sankaran by Matthew Allen"--
About the author
T. SANKARAN [1906--2000] was a scholar and vocalist, and an officer at All India Radio and served as secretary of the Tami Isai Sangam (Tamil Music Academy. He wrote extensively for
Sruti Magazine of Indian Music and Dance,
The Indian Express, The Hindu, and other Madras and national newspapers. MATTHEW HARP ALLEN (Mansfield, MA) is professor of music, emeritus at Wheaton College and co-author with T. Viswanathan of
Music in South India: The Karnatak Concert Tradition and Beyond. He has written several articles on the social history of South Indian dance and the classicization of Carnatic music. He studied Karnatak vocal music with the late T. Viswanathan and for several years was a vocal accompanist for the dance recitals of Viswa's niece Lakshmi Shanmukham Knight. DANIEL M. NEUMAN (Los Angeles, CA) is emeritus professor of ethnomusicology at the University of California, Los Angeles and author of numerous books, including
The Life of Music in North India.
Summary
An insider's eight-decade overview of South India's 20th century classical music culture. This book offers an account of Carnatic music culture drawing on the knowledge of T.
