Fr. 140.00

Censorship of Eighteenth-Century Theatre - Playhouses and Prohibition, 1737-1843

English · Hardback

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Description

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A far-reaching analysis of censorship's profound impact on Georgian theatrical culture and its development across the long eighteenth century, showcasing how the analysis of plays can be helpful for historical research.

List of contents










Introduction: theatre censorship and Georgian cultural history David O'Shaughnessy; Part I. Gender: 1. Censorship as cultural production: the 1752 public entertainments act and Christopher Smart's Old Woman's Oratory Kristina Straub; 2. Damned women, or the disclosures of censorship Daniel O'Quinn; 3. Women writers and censorship in the early nineteenth century Katherine Newey; Part II. Politics: 4. Theatrical censorship and empire Bridget Orr; 5. Adapting Caleb Williams for the stage: the theatrical pale of censorship in Colman's The Iron Chest Lisa A. Freeman; 6. Knave or not? Censoring Thomas Holcroft Julie A. Carlson; Part III. Performance: 7. The censorship of personal satire on the eighteenth-century stage Matthew J. Kinservik; 8. Censoring the unseen: revolution and the aesthetics of theatrical space David Francis Taylor; 9. Evading censorship through comedy, improvisation and non-verbal performance in the early nineteenth century Jim Davis; 10. Censoring regency flash: the melodrama of the Weare-Thurtell murder case, 1823-24 Gillian Russell.

About the author

David O'Shaughnessy is Professor of Eighteenth-Century Studies at the University of Galway. He is co-editor of The Letters of Oliver Goldsmith (Cambridge University Press, 2018), a general editor of The Collected Works of Oliver Goldsmith (2024-), and Principal Investigator of the European Research Council funded project 'Theatronomics: the business of theatres, 1732–1809'. His website 'The Censorship of British Theatre, 1737–1843' won the British Society for Eighteenth-Century Studies Prize for Digital Resources (2022).

Summary

A far-reaching analysis of censorship's profound impact on Georgian theatrical culture and its development across the long eighteenth century, showcasing how the analysis of plays can be helpful for historical research.

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