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Informationen zum Autor Sandra Ponzanesi is Professor of Gender and Postcolonial Studies, Department of Media and Culture Studies, Utrecht University, The Netherlands. Adriano José Habed is a doctoral student in Political Philosophy and Gender Studies at the Department of Human Sciences, University of Verona, Italy, and the Department of Media and Culture Studies, Utrecht University, The Netherlands. Rosemarie Buikema is Professor of Art, Culture and Diversity at Utrecht University. She chairs the UU Graduate Gender Programme (GGeP) and is the scientific director of the Netherlands Research School of Gender Studies (NOG). In that capacity, she also co-ordinates the UU share in the Erasmus Mundus Master in Gender Studies (GEMMA) and directs the annual international Summer School in Gender Studies: NOISE. She co-chairs the UU IOS Hub Gender and Diversity: Building an Inclusive Society and she is the initiator and project leader of MOED, Museum of Equality and Difference. She is currently the principal investigator for the Horizon2020 Cultures of Equality Innovative Training Network project where she is responsible for the work package: Textual and Artistic Cultures of Gender Equality. She has extensive experience in supervising and directing large cultural and academic events and projects among others an EU FP6 Early Stage Research training programme which delivered 39 PHD’s EU-wide. Stephen Gundle is Professor of Film and Television Studies at the University of Warwick, UK. He has published on Italian cinema and mass media, as well as Italian cultural and political history, including Mass Culture and Italian Society from Fascism to the Cold Wa r (2007), Bellissima: Feminine Beauty and the Idea of Italy (2007) and Fame Amid the Ruins: Italian Film Stardom in the Age of Television (2020). He has contributed to journals such as Quaderni storici , Modern Italy and the Journal of Modern Italian Studies . Klappentext In recent years, Europe has had to constantly rethink and redefine its attitude towards new flows of immigrations. Issues of boundaries and identity have been integral to this reflection. Through a magnificent collection of essays, Migrant Cartographies examines both sites and conflicts and the way in which forms of belonging and identity have been reinvented. Zusammenfassung In recent years, Europe has had to constantly rethink and redefine its attitude towards new flows of immigrations. Issues of boundaries and identity have been integral to this reflection. Through a magnificent collection of essays, Migrant Cartographies examines both sites and conflicts and the way in which forms of belonging and identity have been reinvented. Inhaltsverzeichnis Chapter 1 Introduction Part 2 Mapping Europe: Theoretical Interventions Chapter 3 Mapping the Mind: Borders, Migration, and Myth Chapter 4 The Politics of the Perception of Human Movement Chapter 5 A Cat in a Kipper Box or, the Confession of a 'Second Generation Immigrant' Chapter 6 Virtual Multiculturalism: The Case of Contemporary Britain Chapter 7 One Bangle Does Not Jingle: Cultures, Literatures, and Migration in a Globalizing World Part 8 Writing Across the Borders: New Literatures in Europe Chapter 9 Stranger in a Strange Land: Jamal Mahjoub's The Carrier Chapter 10 From Guest Worker to Hybrid Immigrant: Changing Themes of German-Turkish Literature Chapter 11 Between Foreign and Floating Signs: The Language of Migrant Subjects Chapter 12 Roots and Routes: Diaspora, Travel Writing, and Caryl Phillips's Sounding of the Black Atlantic Chapter 13 On Narrative Voice and the Deconstruction of Home in Migrant Literature Chapter 14 'The Risks Migrating Words Take.' Some thoughts on the Afrikaans Poetry of Elisabeth Eybers in a context of transmigration Part 15 Mind the Gap! Cultural Trans/formations Chapter 16 Street...
