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The small village of Santa Ana Pueblo in northcentral New Mexico has for centuries made distinctive pottery for domestic and ritual use. In this book, the authors relate new ideas about the evolution of pottery styles made at Santa Ana and compare these styles with those found elsewhere in the Pueblo ceramic tradition. In particular, this richly visual study describes the chronological sequence of forms and designs based on evidence not heretofore available. The book analyzes the sequence from the earliest date, circa 1760, when positive evidence of Santa Ana origin can be identified, through the end of pottery making for local use about 1925 through various revivals to the present time. The pottery of Santa Ana Pueblo exemplifies the fine artistic achievement that has brought Pueblo ceramics worldwide acclaim. In this study, Pueblo pottery authority Francis H. Harlow, along with anthropologist Duane Anderson and historian Dwight P. Lanmon, provides an original and ground-breaking investigation into the origins and evolution of this pueblo's exemplary pottery. The result furnishes criteria for dating any vessel that comes to hand. A chapter on the recognized potters of the twentieth and twenty-first centuries recounts efforts to keep pottery traditions alive for future working potters.
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About the author
Dwight P. Lanmon has written or collaborated on more than a half-dozen landmark publications about Southwest Native American pottery including
The Pottery of Zia Pueblo and
The Pottery of Zuni Pueblo. He has served as the director of the Winterthur Museum and the director and curator of European glass at the Corning Museum of Glass.
Summary
For nearly five decades beginning in 1918, Gustave Baumann cultivated friendships with other art colonists that were full of the colorful, artistic, humorous, small town flavor brought to life in this delightful collection of holiday cards the artists made
