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"James Fujii's Complicit Fictions is the first genuinely convincing study of the crucial relationship between the production of literature and the experience of history in the making of modern Japan. He has brilliantly, and with great intellectual originality, liberated the reading of modern Japanese prose narratives from an earlier, formalistic practice which had assimilated them to the requirements of the European realist novel, and thereby robbed them of their own particularity. As a replacement for the earlier critical program, he proposes a strategy that promises to restore the historical moment inscribed in the very act of narrative production. In making this move, he has, I believe, managed to bring these fictions back to Japan yet avoid reducing them to expressions of cultural exceptionalism. By showing us how the narratives of Shimazaki Toson, Natsume Soseki and Tokuda Shusei must be read for an enabling history which they invariably sought to repress, their historical unconscious, Fujii has given students of history and literature, in and out of Japan, a magisterial mix of critical sophistication and textual authority, rigorous thinking and stylistic elegance."—Harry Harootunian, University of Chicago
"Unlike many literary studies that seek to be theoretical but finally prove merely tautological, Complicit Fictions is both genuinely theoretical and passionately engaged. It explains all that needs explanation, leaving little to quotations or citations. James Fujii is stunningly lucid and persuasively precise. Together with Richard Okada's Figures of Resistance and Naoki Sakai's Voices of the Past, this work will open a new era in the studies of Japanese literature."—Masao Miyoshi, University of California, San Diego
About the author
James A. Fujii is Associate Professor of Japanese at the University of California, Irvine.
Summary
Challenges traditional approaches to the study of Japanese narratives and Japanese culture in general. This title employs Western literary-critical theory to reveal the social and political contest inherent in modern Japanese literature and confronts breakthroughs in literary studies coming out of Japan.
