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Informationen zum Autor Meg Bowles, Catherine Burns, Jenifer Hixson, Sarah Austin Jenness, and Kate Tellers; foreword by Padma Lakshmi; introduction by Chenjerai Kumanyika Klappentext "Over the past twenty-five years, the directors of The Moth have worked with people from all walks of life - including astronauts, rock stars, Nobel Prize-winners, high school students, dental hygienists, and a retired pickpocket - to develop true personal stories that have moved and delighted millions of listeners on the Moth's Peabody Award-winning radio hour and podcast. A leader in the modern storytelling movement, The Moth also inspires thousands of people around the globe to share their stories each year. Now, with 'How to Tell a Story', you will learn how to uncover and craft your own unique stories, like Moth storytellers such as Mike Birbiglia, Rosanne Cash, Darryl "DMC" McDaniels, Neil Gaiman, Elizabeth Gilbert, Malcolm Gladwell, Adam Gopnik, Amanda Gorman, Padma Lakshmi, Hasan Minhaj, Tig Notaro, Boots Riley, Molly Ringwald, Krista Tippett, John Turturro, and more. Whether your goal is to make it to The Moth stage, deliver the perfect wedding toast, wow clients at a business dinner, give a moving eulogy, ace a job interview, be a hit at parties, or simply connect more deeply to those around you, stories are essential... The Moth team will help you present your most authentic self to the world - and tell stories that will forge lasting connections with coworkers, clients, friends, and family"-- Leseprobe Introduction In June 2015, I was given the life-changing opportunity to pitch a story to Catherine Burns, artistic director of The Moth. As a long-time fan and audience member, I was thrilled—and terrified. I often listened to Moth stories to be transported out of my own life, and to be transformed by the entertaining, deeply moving, and amazing lives of others. Now The Moth was calling me! Did I even have a story to tell? Adrenaline (born of excitement and fear) surged through my veins. This was a chance to hone my own storytelling craft with experts, and maybe even to be heard by Moth audiences all around the world. Storytelling lies at the heart of my professional life. As a professor of critical media studies, much of my teaching involves finding stories that can transform abstract concepts and history into relat able and compelling experiences. As an organizer striving to make institutions more equitable, effective storytelling can not only dismantle false narratives but also cut through intractable political divides to reveal how power is currently working, how we got here, and what needs to be done. As a journalist, great stories are the beating heart of impactful reporting, essays, and narrative-nonfiction audio productions. For all of these reasons, I enthusiastically accepted the invitation. But as soon as I hung up, I felt a fluttering of fear in my chest. My own stories had made friends and family laugh, but they were really just short anecdotes told to people who were being generous. To make matters worse, my experience as a hip-hop artist had taught me that there’s a big difference between telling a funny story to a couple of friends and telling it to hundreds or thousands of strangers. On stage, everything but the power of your story is stripped away, and it is very easy to fall flat. The few times this happened to me, it felt like nothing could remove the stench of doom from the air. After an hour, the fluttering in my chest turned into panic. Every time I tried to summon a potential story from my past, a crowd of critical voices in my head would quickly impale it with a flurry of criticism: N o one cares about this. Get over yourself. You’ve never saved a life. Why do you get to stand in front of people and talk about your weird silly stuff? Jay Allison, the longtime producer of The Moth Radio Hour, had introduced me to ...
