Read more
A Blind Salmon engages in Julia Wong Kcomt's characteristically unflinching plumbing of the human body and traces fanged emotions with sticky precision, exploring mothering, multilinguality, and madness.Tusán writer Julia Wong Kcomt’s sixth collection of poetry,
A Blind Salmon is her first full-length collection available in English. Written while she was living in Buenos Aires, the collection crosses borders between Berlin, Buenos Aires, Chepén, Tijuana, and Vienna. It takes up sameness and difference, shot through with desert sand.
In these poems, Wong Kcomt renders homage to writers such as the Peruvian poet and visual artist Jorge Eduardo Eielson, who died in Milan as she was writing them. She fingers the filmy line between poetry and narrative prose to build a lyrical menagerie all her own.
About the author
Born into a tusán (Chinese Peruvian) family in Chepén, Peru,
Julia Wong Kcomt (1965-2024) was the author of eighteen volumes of poetry, seven books of fiction, and three collections of hybrid prose. In English, her work has been published in
The Margins,
McSweeney's,
Poetry, and other outlets. She lived between Lima and Lisbon.
Jennifer Shyue is a translator from Spanish. Her translations include Julia Wong Kcomt’s chapbook
Vice-royal-ties and Augusto Higa Oshiro’s novel
The Enlightenment of Katzuo Nakamatsu.
Summary
A Blind Salmon engages in Julia Wong Kcomt's characteristically unflinching plumbing of the human body and traces fanged emotions with sticky precision, exploring mothering, multilinguality, and madness.
Tusán writer Julia Wong Kcomt’s sixth collection of poetry, A Blind Salmon is her first full-length collection available in English. Written while she was living in Buenos Aires, the collection crosses borders between Berlin, Buenos Aires, Chepén, Tijuana, and Vienna. It takes up sameness and difference, shot through with desert sand.
In these poems, Wong Kcomt renders homage to writers such as the Peruvian poet and visual artist Jorge Eduardo Eielson, who died in Milan as she was writing them. She fingers the filmy line between poetry and narrative prose to build a lyrical menagerie all her own.
Foreword
- Serial rights targeting The Paris Review, The Nation, LRB, NYRB, Poetry, Granta, Guernica, and others
- Print and digital publicity targeting NPR, The Atlantic, Public Books, The Rumpus, Los Angeles Times, The Guardian, Lit Hub, Poets & Writers, Electric Literature, The White Review, Words Without Borders, World Literature Today, Asymptote, and others
- Promotion at or events pitched for Texas Book Festival, Brooklyn Book Festival, Winter Institute, PEN World Voices
- Review copies sent targeting all major print and digital literary media outlets, reviewers, and booksellers; additional copies available upon request
- Promotion on the publisher’s website (deepvellum.org), Twitter feed (@deepvellum), and Facebook page (/deepvellum); publisher’s e-newsletter to booksellers and reviewers