Read more
Zusatztext Ferguson effectively demonstrates why he continues to be the foremost scholar in the philosophy of African American Studies. He presents the most pivotal scholarly contribution on the matter of Black popular culture to date. Ferguson’s dialectical materialist approach provides valuable insights into the broad range of Black cultural/ideological tendencies today. By scrutinizing the class contradictions within the Black community, he examines Black cultural production and its relationship to the political economic interest of corporate capitalism. This book is a must read for scholars, cultural critics and significantly activists that are engaged as cultural workers in ongoing mass struggles. Informationen zum Autor Stephen C. Ferguson II is Associate Professor in the Department of Philosophy and Religious Studies at North Carolina State University, USA. He is co-author with John H. McClendon III of African American Philosophers and Philosophy (2019) . Klappentext Stephen C. Ferguson II provides a philosophical examination of Black popular culture for the first time. From extensive discussion of the philosophy and political economy of Hip-Hop music through to a developed exploration of the influence of the postmodernism-poststructuralist ideology on African American studies, he argues how postmodernism ideology plays a seminal role in justifying the relationship between corporate capitalism and Black popular culture. Chapters cover topics such as cultural populism, capitalism and Black liberation, the philosophy of Hip-Hop music, and Harold Cruse's influence on the "cultural turn" in African American studies. Ferguson combines case studies of past and contemporary Black cultural and intellectual productions with a Marxist ideological critique to provide a cutting edge reflection on the economic structure in which Black popular culture emerged. He highlights the contradictions that are central to the juxtaposition of Black cultural artists as political participants in socioeconomic struggle and the political participants who perform the rigorous task of social criticism. Adopting capitalism as an explanatory framework, Ferguson investigates the relationship between postmodernism as social theory, current manifestations of Black popular culture, and the theoretical work of Black thinkers and scholars to demonstrate how African American studies have been shaped. Vorwort An exploration of the impact corporate capitalism has on Black popular culture in light of postmodernism ideology Zusammenfassung Stephen C. Ferguson II provides a philosophical examination of Black popular culture for the first time. From extensive discussion of the philosophy and political economy of Hip-Hop music through to a developed exploration of the influence of the postmodernism-poststructuralist ideology on African American studies, he argues how postmodernism ideology plays a seminal role in justifying the relationship between corporate capitalism and Black popular culture. Chapters cover topics such as cultural populism, capitalism and Black liberation, the philosophy of Hip-Hop music, and Harold Cruse’s influence on the “cultural turn” in African American studies. Ferguson combines case studies of past and contemporary Black cultural and intellectual productions with a Marxist ideological critique to provide a cutting edge reflection on the economic structure in which Black popular culture emerged. He highlights the contradictions that are central to the juxtaposition of Black cultural artists as political participants in socioeconomic struggle and the political participants who perform the rigorous task of social criticism. Adopting capitalism as an explanatory framework, Ferguson investigates the relationship between postmodernism as social theory, current manifestations of Black popular culture, and the theoretical work of Black thinkers an...
