Electronic Dance Music - From Deviant Subculture to Culture Industry

Informationen zum Autor Christopher T. Conner is Assistant Professor of Sociology at the University of Missouri, Columbia. David R. Dickens was professor of sociology at the University of Nevada, Las Vegas for thirty-eight years. Klappentext This text explores how the Electronic Dance Music subculture transitioned from a marginalized deviant subculture to a billion-dollar culture industry, looking at how the culture’s success has undermined in-group solidarity and marginalized those who helped pioneer it. Zusammenfassung This text explores how the Electronic Dance Music subculture transitioned from a marginalized deviant subculture to a billion-dollar culture industry, looking at how the culture’s success has undermined in-group solidarity and marginalized those who helped pioneer it. Inhaltsverzeichnis Contents Acknowledgments Introduction Chapter 1. Phase I: Beginnings (1980s-1995) Chapter 2. Phase II: The Rise of the Rave Outlaw (1995-2009) Chapter 3. Phase III: EDM as Culture Industry (2010-2022) Conclusion Appendix: The Rave Act References About the Authors

Product details

• Authors: Christopher T. Conner, Christopher T. Dickens Conner, David R. Dickens, Dickens David R.
• Publisher: Lexington Books
• Languages: English
• Product format: Hardback
• Released: 01.03.2023
• EAN: 9781793620392
• ISBN: 978-1-79362-039-2
• No. of pages: 150
• Series: Critical Perspectives on Music and Society
• Subjects: Humanities, art, music > Music > General, dictionaries; Social sciences, law, business > Social sciences (general); Popular Culture, SOCIAL SCIENCE / General, SOCIAL SCIENCE / Popular Culture, MUSIC / Genres & Styles / Electronic, Electronic Music, EDM (Electronic Dance Music), Electronic musical instruments