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Ingeborg Hoesterey is Professor of Comparative Literature and Germanic Studies at Indiana University. She is author of Verschlungene Schriftzeichen: Intertextualitat von Literatur und Kunst in der Moderne/Postmoderne, editor of Zeitgeist in Babel: The Postmodernist Controversy, and co-editor of Intertextuality: German Literature and Visual Art from the Renaissance to the Twentieth Century, and Neverending Stories: Toward a Critical Narratology.
List of contents
Contents
Introduction
1. A Discourse History of Pasticcio and Pastiche
2. Pastiche in the Visual Arts
3. Cinematic Pastiche
4. Literary Pastiche
5. Pastiche Culture Beyond High and Low
Coda
Notes
Works Cited
Index
About the author
Ingeborg Hoesterey is Professor of Comparative Literature and Germanic Studies at Indiana University. She is author of Verschlungene Schriftzeichen: Intertextualitat von Literatur und Kunst in der Moderne/Postmoderne, editor of Zeitgeist in Babel: The Postmodernist Controversy, and co-editor of Intertextuality: German Literature and Visual Art from the Renaissance to the Twentieth Century, and Neverending Stories: Toward a Critical Narratology.
Summary
Cultural theorists see contemporary society marked by radical hybridity in manifold social practices. This title is about cultural memory as a history of seeing and writing.
