Fr. 47.90

Donor Portraits in Byzantine Art - The Vicissitudes of Contact Between Human and Divine

English · Paperback / Softback

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Informationen zum Autor Rico Franses is an Associate Professor in the Department of Fine Arts and Art History, American University of Beirut, and Director of the University Art Galleries and Collections. Zusammenfassung Argues that donor portraits in Byzantine art should instead be considered as contact portraits. Contends that the most important feature of the scenes of supplication between mortals and holy, supernatural interlocutors consists in the active role that they play within the belief systems of the supplicants. Inhaltsverzeichnis Introduction: methodologies for the study of donor portraits; 1. The history and problematic of the donor portrait; 2. On meaning in portraits. The knot of intention and the question of the patron's share; 3. Awaiting the end after the end. Sin, absolution, and the afterlife; 4. Exchange and non-exchange. The gift between human and divine; 5. The literal, the symbolic, and the contact portrait. On belief in the interaction between human and divine; Postscript: the problem of terminology again. Donor portraits and contact portraits.

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