Fr. 60.50

Film Noir and the Spaces of Modernity

English · Paperback / Softback

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Informationen zum Autor Edward Dimendberg is Associate Professor of Film and Media Studies at the University of California, Irvine. Klappentext Film noir remains one of the most enduring legacies of 1940s and '50s Hollywood. Populated by double-crossing, unsavory characters, this pioneering film style explored a shadow side of American life during a period of tremendous prosperity and optimism. Edward Dimendberg compellingly demonstrates how film noir is preoccupied with modernity--particularly the urban landscape. The originality of Dimendberg's approach lies in his examining these films in tandem with historical developments in architecture, city planning, and modern communications systems. He confirms that noir is not simply a reflection of modernity but a virtual continuation of the spaces of the metropolis. He convincingly shows that Hollywood's dark thrillers of the postwar decades were determined by the same forces that shaped the city itself. Exploring classic examples of film noir such as "The Asphalt Jungle," "Double Indemnity," "Kiss Me Deadly," and "The Naked City" alongside many lesser-known works, Dimendberg masterfully interweaves film history and urban history while perceptively analyzing works by Raymond Chandler, Edward Hopper, Siegfried Kracauer, and Henri Lefebvre. A bold intervention in cultural studies and a major contribution to film history, "Film Noir and the Spaces of Modernity" will provoke debate by cinema scholars, urban historians, and students of modern culture--and will captivate admirers of a vital period in American cinema. Zusammenfassung Exploring classic examples of film noir such as The Asphalt Jungle! Double Indemnity! and The Naked City alongside many lesser-known works! Dimendberg confirms that noir is not simply a reflection of modernity but a virtual continuation of the spaces of the metropolis. Inhaltsverzeichnis Introduction 1. Naked Cities 2. Centripetal Space 3. Walking Cures 4. Centrifugal Space 5. Simultaneity! the Media Environment! and the End of Film Noir Notes Index ...

Product details

Authors Edward Dimendberg, Dimendberg Edward
Publisher Harvard University Press
 
Languages English
Product format Paperback / Softback
Released 22.06.2004
 
EAN 9780674013469
ISBN 978-0-674-01346-9
No. of pages 352
Dimensions 155 mm x 232 mm x 23 mm
Subjects Humanities, art, music > Art > Theatre, ballet

USA, Film Noir, United States of America, USA, PERFORMING ARTS / Film / History & Criticism, Film Theory & Criticism, Film history, theory or criticism

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