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Creative metaphor has been of central interest to the cognitive linguistic research community in recent years. However, little is known about what propels people to use metaphor in a creative way. In this Element, the authors identify and explore some of the clues that synaesthesia may provide to help us better understand the factors that drive creativity, with a particular focus on creative metaphor. They identify the factors that seem to trigger the production of creative metaphor in synaesthetes, and explore what this can tell us about creativity in the population more generally. Their findings provide insights into the nature of creativity as it relates to metaphor, emotion and embodied experience. This title is also available as Open Access on Cambridge Core.
List of contents
1. 'Tiny balloons filled with mashed potatoes': what is synaesthesia, and what has it got to do with creativity and metaphor?; 2. 'Those cookies tasted of regret¿:' how we investigated evaluative descriptions of sensory experiences; 3. ¿and rotting flesh: how do synaesthetes and non-synaesthetes evaluate sensory experiences? What we found¿; 4. 'Yeurgh¿': How we investigated synaesthetes' and non-synaesthetes' responses to emotion words and emotive expressions, and what we found; 5. 'I don't like looking at numbers with no discernible pattern': Conclusion.
Summary
In this Element, the authors compare the written descriptions of sensory and emotional experiences produced by twenty synaesthetes and twenty non-synaesthetes, and explore the characteristics of their writing, particularly as they relate to metaphor. This title is also available as Open Access on Cambridge Core.
Foreword
This Element deepens our understanding of the relationship between embodied sensory experience, emotion, creativity and metaphor.
