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Informationen zum Autor David L. Ulin is a regular contributor to the Los Angeles Times and LA Weekly . His work has also appeared in GQ , the Nation , New York Times Book Review , and Atlantic Monthly . Ulin is the editor of two acclaimed anthologies of writing about Los Angeles, where he lives. Klappentext Earthquakes are one of the great unsolved geological mysteries. Attempts to predict them have ranged from studies of California's fault lines by USGS geologists to the work of an odd assortment of psychics and apocalyptics who base their sometimes startlingly accurate forecasts on everything from changes in the earth's magnetic fields to the behavior of whales. The Myth of Solid Ground is a journey, both personal and cultural, through the world of earthquakes and earthquake prediction, one that seeks a middle ground between science and superstition, while also looking for a larger context in which seismicity might make sense. An excellent primer on the science of seismology, The Myth of Solid Ground looks at earthquakes as the ultimate metaphor for living with impending disaster. Leseprobe THREE APRIL EARTHQUAKES Let me tell you about the earliest earthquake I remember. It happened in the spring of 1980, when I was eighteen years old and living in my first apartment, on Haight Street in San Francisco, with two friends from high school, a collection of Grateful Dead tapes, and a glorious sense of aimlessness, of being adrift in a magical universe, where virtually everything I confronted in my daily life could be construed to harbor a hidden message of some kind. Later that year, over the Fourth of July holiday, I would ask for a sign of God’s existence; two days afterwards, a car in which I was a passenger went out of control on the 101 just south of Novato, slamming into a guardrail and rolling once, end over end, onto the highway shoulder, yet somehow leaving all five of us who’d been inside miraculously unhurt. I mention this neither to support nor debunk the God story, but simply as an illustration, to show the kind of boy I was, the things I thought about, the way I saw the world. It was a period in which I spent a lot of time considering connections, pondering synchronicity and the heady, if inaccessible, question of truth, awash in the quest for ultimate answers and the meaning that, I felt sure, was waiting, if only I could peel back the surface of the earth. Among the more self-aggrandizing legends to swirl through San Francisco in the days I lived there was one claiming that the city was a modern re-creation of the lost kingdom of Atlantis; both places, or so the story went, were ringed by water and anchored by large white pyramids with red blinking eyes at their apexes, and both (here’s the self- aggrandizing part) represented landscapes of enlightenment in a universe of human darkness, zones of fulfillment where people could exist as their most heightened, elemental selves. From the perspective of the present, I now see this story for the provincial fantasy it was, but I remain struck by just how often, during the spring of 1980, I happened to hear it, from people who didn’t know one another, people who had nothing in common, whose definitions of enlightenment could never have encompassed one another’s points of view. For one friend, it was a matter of mass reincarnation: San Francisco, she told me, was filling up with reborn Atlanteans—which, according to her scattershot cosmology, meant anyone who had ever been drawn to the city, or, in other words, nearly all of us. Another friend took things a step further, insisting that when all the Atlanteans finally reached San Francisco, the city would be destroyed by earthquake and tidal wave, just as Atlantis itself purportedly had been. The year this would happen, she told me, was 1982, although she couldn’t explain why, exactly, other than to say she’d heard it somewhere, from someone else ...
