Read more
Zusatztext "Here! at last! is a book that dealt with the modal contrapuntal style in a musical and compositional way... the emphasis is always on the music itself and... on the craft of composing in this style. This is a very significant addition to the library of books on modal counterpoint." - Dr. Robert Nelson! Professor of Music Theory and Composition! University of Houston"The author is quite well-respected in the field! known as a composer but even more particularly as a teacher devoted to issues of effective pedagogy. This is a thoughtful and significant contribution to the study of Renaissance (or modal) counterpoint." -Dr. Sharon G. Levy! Professor of Theory and Composition at Peabody Conservatory Informationen zum Autor Thomas Benjamin Klappentext "The Craft of Modal Counterpoint" is the companion book to Benjamin's "The Craft of Tonal Counterpoint," recently republished in a second edition by Routledge. Modal counterpoint is the style of composition that was employed until the "tonal" revolution pioneered by Bach; it is the basis for most Early Music. Benjamin, a composer and pedagogue, offers a complete analysis of this important musical style. He begins by covering general aspects of the style, then covers in detail two, three, and four-part counterpoint. The Motet, an important form of vocal composition in this period, is studied separately. The book concludes with a brief anthology of key scores, 15 in all, for the student to study further. Also includes 132 musical examples. Zusammenfassung "The Craft of Modal Counterpoint" is the companion book to Benjamin's "The Craft of Tonal Counterpoint," recently republished in a second edition by Routledge. Modal counterpoint is the style of composition that was employed until the "tonal" revolution pioneered by Bach; it is the basis for most Early Music. Benjamin, a composer and pedagogue, offers a complete analysis of this important musical style. He begins by covering general aspects of the style, then covers in detail two, three, and four-part counterpoint. The Motet, an important form of vocal composition in this period, is studied separately. The book concludes with a brief anthology of key scores, 15 in all, for the student to study further. Also includes 132 musical examples. Inhaltsverzeichnis 1. General Stylistic AspectsTextureText SettingNotation and Performance PracticeRhythm and MeterNote ValuesRestsDots and TiesHarmonyGeneral ObservationsAccidentals (Musica ficta)CadencesChordsMelodyGeneral ObservationsIntervals and Treatment of LeapsOther Aspects of MelodyTypical Quarter-Note Idioms2. Two-Voice CounterpointGeneral ObservationsRhythmTexturePhrase and FormMotivic (Thematic) OrganizationTechnical DetailsMotion RelationshipsIntervallic RelationshipsCadential IdiomsComments on Two-Voice CompositionImitation in Two-Voice TextureGeneral ObservationsInvertible Counterpoint at the OctaveInvertible Counterpoint at the Twelfth3. Three-Voice CounterpointGeneral ObservationsTexture and RhythmHarmonyDissonance TreatmentCadential IdiomsImitationComments on ImitationComments on Three-Voice Composition4. Counterpoint in Four Voices5. The MotetGeneral ObservationsImitationComments on Motet WritingSuggestions for Further StudyAppendix: An Anthology of Complete WorksBibliographyDiscographyIndex...
