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Defining images and accounts of humanitarian crises are now often created not by journalists but by ordinary citizens using social media. This book reveals how humanitarian disasters are covered in the 21st century - and the potential consequences for those who posted a tweet, a video or photo without realising how far it would go.
List of contents
1. Introduction: Telling the Stories of Disasters in a Rapidly Changing World 2. Distant Suffering in a Digital World: background to the changing nature of disaster reporting 3. ‘The odd mucky weekend – not a one night stand’. How journalists and aid agencies work together in disasters 4. ‘The First Draft of History’ or ‘Smoke and Mirrors’? How journalists and aid agencies see UGC 5. Twitter takeovers and Following the Sun: How aid agencies now use UGC 6. Cloning and Co-opting: Journalists and control of UGC 7. ‘Tweeting the Quake’ How ordinary citizens tell their stories 8. Ethical Questions Going Forward: Privacy, Permission, Payment 9. Conclusion: Final Reflections
About the author
Dr Glenda Cooper is a lecturer in journalism at City, University of London. Her research centres on humanitarian disasters, the relationship between aid agencies and journalists and the ethical issues surrounding use of user-generated content. She is the co-editor of Humanitarianism, Communications and Change (Peter Lang, 2015), and editor of The Future of Humanitarian Reporting (City University, 2014). Before that, she was the Guardian Research Fellow at Nuffield College, Oxford and a staff journalist at the BBC, Independent, Daily Mail, Washington Post, Sunday Times and the Daily Telegraph.
Summary
Defining images and accounts of humanitarian crises are now often created not by journalists but by ordinary citizens using social media. This book reveals how humanitarian disasters are covered in the 21st century – and the potential consequences for those who posted a tweet, a video or photo without realising how far it would go.
