Read more
Performing Restoration Shakespeare embraces the performative and musical qualities of Restoration Shakespeare (1660-1714), drawing on the interdisciplinary expertise of theatre historians, musicologists, literary critics, and - crucially - theatre and music practitioners. It invites us to respond to Restoration Shakespeare on its own unique terms.
List of contents
Introduction: new Shakespeare for a new era Amanda Eubanks Winkler, Claude Fretz, and Richard Schoch; Part I. Documents of Performance: 1. From boards to books: the circulation of Shakespearean songs in manuscript and print during the interregnum Sarah Ledwidge; 2. Heroic Shakespeare at Lincoln's Inn fields Stephen Watkins; 3. More than a song and dance? Identifying Matthew Locke's incidental music for Macbeth Silas Wollston; Part II. Performance History and Performance Now: 4. Cross-Dressing in restoration Shakespeare: Twelfth night and the tempest Fiona Ritchie; 5. Performing restoration Shakespeare in the eighteenth century James Harriman-Smith; 6. An actor's perspective on restoration Shakespeare Louis Butelli; 7. Staging restoration Shakespeare with restoration music Robert Eisenstein; Part III. Practice-Based Research: 8. Davenant's lady Macduff and the subversion of normative femininity in twenty-first-century performance Sara Reimers; 9. Facts as ideas: the theatricalization of scholarship Kate Eastwood Norris; 10. Syncopated time: taging the restoration tempest Amanda Eubanks Winkler and Richard Schoch.
Summary
Performing Restoration Shakespeare embraces the performative and musical qualities of Restoration Shakespeare (1660–1714), drawing on the interdisciplinary expertise of theatre historians, musicologists, literary critics, and - crucially - theatre and music practitioners. It invites us to respond to Restoration Shakespeare on its own unique terms.
