Read more
Harris, San Francisco's most annoying gay barfly, doesn't mean to be bitchy, passive aggressive, or insulting. But he's so bedazzled by his own critical brilliance he feels morally obliged to share his scathing opinions with the world at any and every opportunity. This irritates no one more than his roommate, Maxine, an avant-garde transsexual cabaret singer. When she overhears him badmouthing her on the phone she flies into a rage and expels him from their apartment. This crisis couldn't come at a worse time. The year is 1999 and the "dot com" boom has rendered cheap housing nonexistent, and Harris, who works as a part-time telemarketer, is--as usual--low on funds. Will he be able to convince one of his eccentric, semi-dysfunctional friends with a rent-controlled apartment to let him move in?
About the author
Alvin Orloff began writing in 1977, penning lyrics for The Blowdryers, an early San Francisco punk band. He spent the 1980s working as a telemarketer and exotic dancer while attending U.C. Berkeley and performing with The Popstitutes, an absurd performance art/homocore band. In 1990 he co-founded Klubstitute, a floating queer cabaret that featured spoken word, theater, drag, and musical acts. The author of three previous novels, including
I Married an Earthling, he was a LAMBDA Literary Prize finalist for his memoir
Disasterama! Adventures in the Queer Underground 1977-1997 (Three Rooms Press), He lives in San Francisco and works in the heart of the historic Castro District as the proprietor of Fabulosa Books.
Summary
A whirlwind tour of San Francisco’s fabled queer bohemia in the waning days of the 20th century, as the city’s budget bon vivants work to save their eccentric lifestyles in the face of tech gentrification by LAMBDA award finalist Alvin Orloff.
Harris, San Francisco’s most annoying gay barfly, doesn’t mean to be bitchy, passive aggressive, or insulting. But he’s so bedazzled by his own critical brilliance he feels morally obliged to share his scathing opinions with the world at any and every opportunity. This irritates no one more than his roommate, Maxine, an avant-garde transsexual cabaret singer. When she overhears him badmouthing her on the phone she flies into a rage and expels him from their apartment. This crisis couldn’t come at a worse time. The year is 1999 and the “dot com” boom has rendered cheap housing nonexistent, and Harris, who works as a part-time telemarketer, is—as usual—low on funds. Will he be able to convince one of his eccentric, semi-dysfunctional friends with a rent-controlled apartment to let him move in?
Vulgarian Rhapsody immerses readers in a fading bohemia of queer dive bars, drag clubs, and countercultural cafes. The book’s narrator (a longtime frenemy of Harris who’s every bit as snarky and annoying as he is) tells the story with sadistic relish and an ironist’s eye for the absurd. Anyone feeling sickly from too many uplifting stories of personal empowerment, precious coming-of-age tales, or sugarcoated romances will find the perfect antidote in this hilariously acidic comedy of manners. A must-read for fans of Brontez Purnell, Phillippe Besson, and Ryan O’Connell.
Foreword
- National publicity campaigns targeting consumer and trade publications.
- Publicity push to radio, especially public radio and college stations.
- Extensive outreach to LGBTQ+ facing blogs and social media influencers
- Original essays and guest posts by author to media outlets
- West Coast and New York in-store and virtual launches.
