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"Whitman's best poems have that permanent quality of being freshly painted, of not being dulled by the varnish of the years." --Malcolm Cowley Informationen zum Autor Walt Whitman; Introduction by Harold Bloom Klappentext A deluxe edition of Whitman's crowning achievement, with an introductory essay by Harold Bloom I celebrate myself, and sing myself, And what I assume you shall assume, For every atom belonging to me as good belongs to you. When Walt Whitman self-published his Leaves of Grass in July 1855, he altered the course of literary history. One of the greatest masterpieces of American literature, it redefined the rules of poetry while describing the soul of the American character. Throughout his great career, Whitman continuously revised, expanded, and republished Leaves of Grass, but as Harold Bloom reminds us, the book that matters most is the 1855 original. In celebration of the poem's 150th anniversary, Penguin Classics proudly presents the 1855 text in its original and complete form, with a specially commissioned introductory essay by Harold Bloom. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. INSCRIPTIONS One's-Self I Sing One's-Self I sing, a simple separate person, Yet utter the word Democratic, the word En-Masse. Of physiology from top to toe I sing, Not physiognomy alone nor brain alone is worthy for the Muse, I say the Form complete is worthier far, The Female equally with the Male I sing. Of Life immense in passion, pulse, and power, Cheerful, for freest action form'd under the laws divine, The Modern Man I sing. As I Ponder'd in Silence As I ponder'd in silence, Returning upon my poems, considering, lingering long, A Phantom arose before me with distrustful aspect, Terrible in beauty, age, and power, The genius of poets of old lands, As to me directing like flame its eyes, With finger pointing to many immortal songs, And menacing voice, What singest thou? it said, Know'st thou not there is but one theme for ever-enduring bards? And that is the theme of War, the fortune of battles, The making of perfect soldiers. Be it so, then I answer'd, I too haughty Shade also sing war, and a longer and greater one than any, Waged in my book with varying fortune, with flight, advance and retreat, victory deferr'd and wavering, (Yet methinks certain, or as good as certain, at the last,) the field the world, For life and death, for the Body and for the eternal Soul, Lo, I too am come, chanting the chant of battles, I above all promote brave soldiers. In Cabin'd Ships at Sea In cabin'd ships at sea, The boundless blue on every side expanding, With whistling winds and music of the waves, the large imperious waves, Or some lone bark buoy'd on the dense marine, Where joyous full of faith, spreading white sails, She cleaves the ether mid the sparkle and the foam of day, or under many a star at night, By sailors young and old haply will I, a reminiscence of the land, be read, In full rapport at last. Here are our thoughts, voyagers' thoughts, Here not the land, firm land, alone appears, may then by them be said, The sky o'erarches here, we feel the undulating deck beneath our feet, We feel the long pulsation, ebb and flow o...
