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Informationen zum Autor Larry Tremblay is a writer, director, actor and specialist in Kathakali, an elaborate dance theatre form which he has studied on numerous trips to India. He has published more than twenty books as a playwright, poet, novelist and essayist, and he is one of Quebec's most-produced and translated playwrights (his plays have been translated into twelve languages). The publication of Talking Bodies (Talonbooks, 2001) brought together four of his plays in English translation. He played the role of Léo in his own play Le Déclic du destin in many festivals in Brazil and Argentina. The play received a new production in Paris in 1999 and was highly successful at the Festival Off in Avignon in 2000. Thanks to an uninterrupted succession of new plays (Anatomy Lesson, Ogre, The Dragonfly of Chicoutimi, Les Mains bleues, Téléroman, among others) in production during the '90s, Tremblay's work continues to achieve international recognition. His plays, premiered for the most part in Montreal, have also been produced, often in translation, in Italy, France, Belgium, Mexico, Columbia, Brazil, Argentina and Scotland. In 2001, Le Ventriloque had three separate productions in Paris, Brussels and Montreal; it has since been translated into numerous languages. More recently, Tremblay collaborated with Welsh Canadian composer John Metcalf on a new opera: A Chair in Love, a concert version of which premiered in Montreal in April 2005. In 2006 he was awarded the Canada Council Victor Martyn Lynch-Staunton Award for his contribution to the theatre. He was a finalist in 2008 and 2011 for the Siminovitch Prize. One of Quebec's most versatile writers, Tremblay currently teaches acting at l'École supérieure de théâtre de l'Université du Québec à Montréal. Klappentext Photographer Christophe Langelier embarks on an extraordinary journey in a comic, surrealist novel of metamorphosis unleashed by hopeless desire. Zusammenfassung Singularly obsessed with his all-consuming passion for Anna, the object of his adolescent desire, the photographer Christophe Langelier is beside himself. Ten years ago, he failed the test of eating a bicycle for her as proof of his love and devotion. Since then, he has created a photographic catalogue of his only model, complete with a glossary, an “Anna-lexique,” in which the darkness and the light of her idealized being have shaded his language, even as her ubiquitous image has crowded out his own identity. Desperate to escape his unrequited love for Anna, Christophe flees to the Island of Women off the coast of Mexico. There, he sacrifices his former self and begins his transformation from a man possessed to a man confused. The Bicycle Eater is a comic, surrealist novel of metamorphosis unleashed by hopeless desire, a riotous, colourful burlesque where nothing and no one remain what they seem. ...
