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The TFM (Master's Final Project) allowed to experience the integration of body languages in the context of a scenic creation, both of movement (choreography) and representation (dramaturgy), and to get collectively involved in all the aspects derived from it, from its design, which was based on a modular structure, we took care of its aesthetic unity in relation to the form and content of the piece. The artistic languages of creation used included dance, theatrical and para-theatrical techniques. The TFM is intended to meet the basic requirements that refer to contextualize and document the process of staging as an academic exercise and at the same time respond to questions and concerns arising from the experience of this artistic and professional experience in the technical, aesthetic and stylistic environment of the piece.
About the author
Née en 1983 à Murcie, elle a commencé ses études de danse à l'âge de 3 ans à l'école de ballet Lola Navas de Cieza. Après quelques années, elle a fait partie de la Compagnie de danse arabe Ciudad de Murcia à l'Institut des danses arabes (IDAEB) et du Teatro de la Perturbación dans lequel elle a participé à plusieurs pièces.
