Chaucer''s Dante - Allegory and Epic Theater in the Canterbury Tales

"The most compelling demonstration to date of the role of the Comedy in the Canterbury Tales."—R. A. Shoaf, author of Dante, Chaucer, and the Currency of the Word

"Just about every chapter provides a reassessment of an important Chaucerian problem."—Winthrop Wetherbee, author of Chaucer and the Poets

About the author

Richard Neuse is Professor of English at the University of Rhode Island in Kingston.

Summary

Richard Neuse here explores the relationship between two great medieval epics, Dante's Divine Comedy and Chaucer's Canterbury Tales. He argues that Dante's attraction for Chaucer lay not so much in the spiritual dimension of the Divine Comedy as in the human.

Borrowing Bertolt Brecht's phrase "epic theater," Neuse underscores the interest of both poets in presenting, as on a stage, flesh and blood characters in which readers would recognize the authors as well as themselves. As spiritual autobiography, both poems challenge the traditional medieval mode of allegory, with its tendency to separate body and soul, matter and spirit. Thus Neuse demonstrates that Chaucer and Dante embody a humanism not generally attributed to the fourteenth century.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1991.

Product details

• Authors: Richard Neuse, Neuse Richard
• Publisher: University Of California Press
• Languages: English
• Product format: Hardback
• Released: 21.10.2022
• EAN: 9780520373822
• ISBN: 978-0-520-37382-2
• No. of pages: 308
• Subjects: Humanities, art, music > Art > Theatre, ballet; Europe, LITERARY CRITICISM / European / General, PERFORMING ARTS / Theater / General, PERFORMING ARTS / Theater / History & Criticism, Ireland, Theatre Studies, Medieval History, United Kingdom, Great Britain, Literature: history & criticism, European history: medieval period, middle ages, Literature: history and criticism, HISTORY / Europe / Medieval, autobiography;body;comedy;history of theatre;present;theatre