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Informationen zum Autor Laurie A. Wilkie , Professor of Anthropology, University of California-Berkeley, USA John M. Chenoweth , Associate Professor of Anthropology, University of Michigan-Dearborn, USA Dan Hicks is Associate Professor of Archaeology and Curator at the Pitt Rivers Museum at the University of Oxford, UK. He has published five books including The Oxford Handbook of Material Culture Studies (2010) and The Cambridge Companion to Historical Archaeology (2006). William Whyte is Professor of Social and Architectural History, University of Oxford, UK. His most recent book is Unlocking the Church: The Lost Secrets of Victorian Sacred Space (2018). Klappentext A Cultural History of Objects in the Age of Enlightenment covers the period 1600 to 1760, a time marked by the movement of people, ideas and goods. The objects explored in this volume -from scientific instrumentation and Baroque paintings to slave ships and shackles -encapsulate the contradictory impulses of the age. The entwined forces of capitalism and colonialism created new patterns of consumption, facilitated by innovations in maritime transport, new forms of exchange relations, and the exploitation of non-Western peoples and lands. The world of objects in the Enlightenment reveal a Western material culture profoundly shaped by global encounters. The 6 volume set of the Cultural History of Objects examines how objects have been created, used, interpreted and set loose in the world over the last 2500 years. Over this time, the West has developed particular attitudes to the material world, at the centre of which is the idea of the object. The themes covered in each volume are objecthood; technology; economic objects; everyday objects; art; architecture; bodily objects; object worlds. Audrey Horning is Professor at William & Mary, USA, and at Queen's University Belfast, UK. Volume 4 in the Cultural History of Objects set. General Editors: Dan Hicks and William Whyte Vorwort Examines the relationship between human and material culture in the Age of Enlightenment. Zusammenfassung A Cultural History of Objects in the Age of Enlightenment covers the period 1600 to 1760, a time marked by the movement of people, ideas and goods. The objects explored in this volume –from scientific instrumentation and Baroque paintings to slave ships and shackles –encapsulate the contradictory impulses of the age. The entwined forces of capitalism and colonialism created new patterns of consumption, facilitated by innovations in maritime transport, new forms of exchange relations, and the exploitation of non-Western peoples and lands. The world of objects in the Enlightenment reveal a Western material culture profoundly shaped by global encounters. The 6 volume set of the Cultural History of Objects examines how objects have been created, used, interpreted and set loose in the world over the last 2500 years. Over this time, the West has developed particular attitudes to the material world, at the centre of which is the idea of the object. The themes covered in each volume are objecthood; technology; economic objects; everyday objects; art; architecture; bodily objects; object worlds. Audrey Horning is Professor at William & Mary, USA, and at Queen’s University Belfast, UK. Volume 4 in the Cultural History of Objects set. General Editors: Dan Hicks and William Whyte Inhaltsverzeichnis 1. Objecthood, Mary Beaudry 2. Technology, Colin Rynne 3. Economic Objects, Christina Hodge 4. Everyday Objects, Beverly Straube 5. Art, Katy Barrett 6. Architecture, Adrian Green 7. Bodily Objects, Diana Loren 8. Object Worlds, Jonas Nordin ...