Read more
In the ancient world, writings were read aloud, heard, and remembered. But modern exegesis assumes a silent text. According to Margaret Lee & Brandon Scott, the disjuncture between ancient and modern approaches to literature obscures the beauty and meaning in writings such as the New Testament. Further, the structure of an ancient Greek composition derives first from its sounds and not from the meaning of its words. They argue that sound analysis, analysis of the signifier and its audible dimension, is crucial to interpretation. Sound Mapping the New Testament explores writing technology in the Greco-Roman world, then turns to ancient Greek literary criticism for descriptions of grammar as a science of sound and literary composition as a woven fabric of speech. Based on these perspectives and a close analysis of writings from the four gospels, Paul, and Q, Sound Mapping the New Testament advances a theory of sound analysis that will enable modern readers to hear the New Testament afresh. The second edition reprints the first edition with a new introduction that reviews a decade of sound mapping scholarship and argues for the continued necessity of sound mapping for New Testament interpretation.
About the author
Margaret E. Lee is retired as Assistant Professor of Humanities at Tulsa Community College. She is the editor of Sound Matters: New Testament Studies in Sound Mapping (Cascade, 2018), author of "Sound mapping" in The Dictionary of the Bible in Ancient Media (2017), and numerous articles on sound mapping. She is co-author with Bernard Brandon Scott et. al. of Reading New Testament Greek: Greek Word Lists and Reader's Guide (1993).
Bernard Brandon Scott is the Darbeth Distinguished Professor of New Testament Emeritus at Phillips Theological Seminary, Tulsa, Oklahoma. He is the author of many books including Hear Then the Parable (1989), The Trouble with Resurrection (2010), and The Real Paul: His Radical Message (2015).
