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"As the first scholarly treatment of the relationship between Beat writers and the academy, this book will open exciting new directions in the field of Beat Studies and will reshape our understanding of the historical tensions between the Beats and higher education"--
About the author
Erik Mortenson is a literary scholar, translator, writer, and English Faculty member at Lake Michigan College in Benton Harbor, Michigan. After earning a PhD from Wayne State University in Detroit, Mortenson spent a year as a Fulbright Lecturer in Germany before journeying to Koç University in Istanbul to help found the English and Comparative Literature Department. Mortenson has published numerous journal articles and book chapters, as well as three books, including
Capturing the Beat Moment: Cultural Politics and the Poetics of Presence (2011),
Ambiguous Borderlands: Shadow Imagery in Cold War American Culture (2016), and
Translating the Counterculture: The Reception of the Beats in Turkey (2018). Mortenson is also an avid translator whose work has appeared in journals such as
Asymptote,
Talisman, and
Two Lines, and he is currently translating the work of Necmi Zekâ for a book-length project. Mortenson's co-written memoir of his time in Detroit,
Kick Out the Bottom, will appear from
>Tony Trigilio is a Professor of English and Creative Writing at Columbia College Chicago. He is the author and editor of fifteen books, including, most recently,
Craft: A Memoir (forthcoming, Marsh Hawk Press, 2023) and
Proof Something Happened, selected by Susan Howe as the winner of the Marsh Hawk Press Poetry Prize (Marsh Hawk, 2021). His selected poems,
Fuera del Taller del Cosmos, was published in Guatemala in 2018 by Editorial Poe (translated by Bony Hernández). He is the author of
Allen Ginsberg's Buddhist Poetics (Southern Illinois UP, 2012 [paper] and 2007 [cloth]) and
"Strange Prophecies Anew" Rereading Apocalypse in Blake, H.D., and Ginsberg (Fairleigh Dickinson UP, 2000). He is editor of
Elise Cowen: Poems and Fragments (Ahsahta Press, 2014), and coeditor of
Visions and Divisions: American Immigration Literature, 1870-1930 (Rutgers UP, 2008). He is a founding member of the Beat Studies Association.
