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Informationen zum Autor Marcy L. Tanter is an active teacher-scholar and international education advisor for the May 18 Memorial Foundation in Gwangju, South Korea. Moisés Park is assistant professor in the Modern Languages and Cultures department at Baylor University. Klappentext This book breaks down the stereotypes often expected of Korean popular culture, showing how the lines of gender, sexuality, and stereotype in Hallyu productions are often blurred to be palatable to Korean audiences or clarified to attract global audiences. Inhaltsverzeichnis Acknowledgments Introduction Chapter 1: Tracking the Korean Style: Hallyu in Hanoi, or Style in the Time of Corona Michael Hurt Chapter 2: "Girl Power" DPRK Style: The Girl Group Phenomenon in North Korea and its Fans across East Asia Peter Moody and Seunghee Ha Chapter 3: Disaporic Koreanness in Kim's Convenience Kyong Yoon Chapter 4: The New Country Women: Exploring Popular Representations of Korean Gwichon and Transnational Women's Marriage-Migration to the Korean Countryside Snigdha Gupta Chapter 5: Gender, Genre, and History in Great Queen Seondeok Michael Ormsbee Chapter 6: Breaking the Stereotype of Domestic Adoption in K-dramas Marcy L. Tanter Chapter 7: Crying Men Watching Webtoons: Misaeng and Korean Male Audiences Jahyon Park Chapter 8: "LISTEN TO K-POP, BURN THE POLICE!": Swastikas, Feminism, and LGBTQ Rights in the 2019-2020 Chilean Protests Moisés Park Chapter 9: Queering the Wave: Drag Queens and Drag Kings in the K-Pop Industry Tiago Canário Chapter 10: K-pop Performance, Transcultural Negotiation of Gender Identity, and Belonging: A Case Study of a Peruvian Drag Queen Dancing to K-pop Min Suk Kim About the Contributors
