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Informationen zum Autor RANDY MALAMUD is Professor of English at Georgia State University, and Associate Chair of the department. He has written several books about T. S. Elliot and modern British literature, and he is author most recently of Reading Zoos: Representations of Animals and Captivity. Klappentext This book offers a new paradigm for reading and appreciating animals in literature and addresses how human culture views animals in poetry. Part one sets up a theoretical overview and posits some aesthetic and ethical ideals for transposing animals into art, while part two presents a more focused practical application of these ideals in one strain of animal poetry (as seen in the works of Marianne Moore, José Emilio Pacheco, Gary Snyder, Pattiann Rogers and others). The poetry analyzed in the book is respectfully and non-invasively insightful into animals; it is tinged with a distancing, and a kind of spiritual awe, regarding their existence. Zusammenfassung This book offers a new paradigm for reading and appreciating animals in literature and addresses how human culture views animals in poetry. Inhaltsverzeichnis PART ONE: ECOCRITICAL ETHICS OF READING On Knowing (and not Knowing) Animals PART TWO: POETIC ANIMALS Mesoamerican Spirituality and Animal Co-essences José Emilio Pacheco: 'I saw a dying fish' Marianne Moore: 'flies in amber' Smith, Larkin, Snyder, Heaney, Rogers: 'We should be kind'
About the author
RANDY MALAMUD is Professor of English at Georgia State University, and Associate Chair of the department. He has written several books about T. S. Elliot and modern British literature, and he is author most recently of Reading Zoos: Representations of Animals and Captivity.
Summary
This book offers a new paradigm for reading and appreciating animals in literature and addresses how human culture views animals in poetry. Part one sets up a theoretical overview and posits some aesthetic and ethical ideals for transposing animals into art, while part two presents a more focused practical application of these ideals in one strain of animal poetry (as seen in the works of Marianne Moore, José Emilio Pacheco, Gary Snyder, Pattiann Rogers and others). The poetry analyzed in the book is respectfully and non-invasively insightful into animals; it is tinged with a distancing, and a kind of spiritual awe, regarding their existence.
