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Informationen zum Autor Julia Listengarten is Professor of Theatre at the University of Central Florida, USA. She is an artist scholar and her research interests range from contemporary performance to socially engaged creative practices. Her recent books include Visual and Performing Arts Collaboration: Transdisciplinary Practices (2023, with Keri Watson) and Performing Arousal: Precarious Bodies and Frames of Representation (Methuen Drama, 2022, with Yana Meerzon). Yana Meerzon is Professor of Theatre Studies at the University of Ottawa, Canada. She is the author of three books, most recently Performance, Subjectivity, Cosmopolitanism (2020). She has co-edited nine collections of articles, including Handbook on Theatre and Migration (2023; with S.E. Wilmer). Klappentext This book considers arousal as a mode of theoretical and artistic inquiry to encourage new ways of staging and examining bodies in performance across artistic disciplines, modern history, and cultural contexts. Looking at traditional drama and theatre, but also visual arts, performance activism, and arts-based community engagement, this collection draws on the complicated relationship between arousing images and the frames of their representability to address what constitutes arousal in a variety of connotations. It examines arousal as a project of social, scientific, cultural, and artistic experimentation, and discusses how our perception of arousal has transformed over the last century. Probing "what arouses" in relation to the ethics of representation, the book investigates the connections between arousal and pleasures of voyeurism, underscores the political impact of aroused bodies, and explores how arousal can turn the body into a mediated object. Vorwort An unprecedented investigation into the complicated and multifaceted relation between arousal and the precarious body from a range of perspectives. Zusammenfassung Shortlisted for the 2023 TaPRA Edited Collection Prize This book considers arousal as a mode of theoretical and artistic inquiry to encourage new ways of staging and examining bodies in performance across artistic disciplines, modern history, and cultural contexts. Looking at traditional drama and theatre, but also visual arts, performance activism, and arts-based community engagement, this collection draws on the complicated relationship between arousing images and the frames of their representability to address what constitutes arousal in a variety of connotations. It examines arousal as a project of social, scientific, cultural, and artistic experimentation, and discusses how our perception of arousal has transformed over the last century. Probing “what arouses” in relation to the ethics of representation, the book investigates the connections between arousal and pleasures of voyeurism, underscores the political impact of aroused bodies, and explores how arousal can turn the body into a mediated object. Inhaltsverzeichnis List of FiguresAcknowledgments Body and Arousal: On Social, Cultural, Scientific, and Artistic Experiment: Introduction - Julia Listengarten and Yana Meerzon Section One Pleasured Body 1 Kokoschka’s Fetish: Violence, Puppetness, and the Female Simulacrum as Mediated Body/Object in the Central European Avant-Garde - Tim Butler Garrett 2 Dalí’s Dream of Venus : Sex, Surrealism, and Disability at the 1939 New York World’s Fair - Keri Watson 3 Blood and Desire: Collaborating through Arousal - Alissa Clarke 4 Getting Lippy with the Patriarchy: Contemporary Women Artists’ “Lip Art” - Lara Cox 5 Transformation and Arousal: The Pleasure of Performative Indeterminacy in Persona Theatre Company’s Phaedra I - Avra Sidiropoulou Section Two Political Body 6 Höch’s Weimar and Wilhelm: Rundschau ’s Avant-Garde Reframing - J. Brandon Pelcher 7 The...
