Fragment, Image, and Absence in 1960s Japan

Examines the transformation of "the object" and the aesthetics of disaffection in the experimental art and photography of 1960s Japan.

About the author

Ignacio A. Adriasola Muñoz is Associate Professor in the Department of Art History, Visual Art and Theory at the University of British Columbia.

Summary

Examines the transformation of “the object” and the aesthetics of disaffection in the experimental art and photography of 1960s Japan.

Product details

• Authors: Ignacio A. (University of British Columbia) Adriasola Munoz, Ignacio A. Adriasola Muñoz
• Publisher: University Presses
• Languages: English
• Product format: Hardback
• Released: 03.01.2023
• EAN: 9780271092904
• ISBN: 978-0-271-09290-4
• Dimensions: 178 mm x 241 mm x 25 mm
• Weight: 771 g
• Illustrations: Raster,schwarz-weiss, Raster, farbig
• Series: Refiguring Modernism
• Subjects: Humanities, art, music > Art > Art history; Japan, Photography & photographs, ART / History / General, HISTORY / Asia / Japan, ART / History / Contemporary (1945-), ART / Asian / Japanese, ART / Conceptual, History of Art, c 1960 to c 1970, Art & design styles: c 1900 to c 1960, c 1960 to c 1969, Photography and photographs, Art & Design Styles: Conceptual Art, Conceptualism