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Joanna Cannon's scholarship and teaching have helped shape the historical study of thirteenth- and fourteenth-century Italian art; this essay collection by her former students is a tribute to her work.
List of contents
1. Introduction: Circling Giotto
Donal Cooper and Beth Williamson
2. Holy Wood / 'sacra tavola': Saint Dominic and the Memory of Miracles in Bologna
Jessica N. Richardson
3. The Sculpted Saint: A Statue of Saint Francis in Siena
John Renner
4. Guccio di Mannaia and the Concept of a 'Franciscan' Chalice
Glyn Davies
5. 'Speculum sine macula': The
Trittico di Santa Chiara in Trieste as an Object of Clarissan Devotion
Michaela Zöschg
6. The Siena Connection: A Franciscan Provincial Minister between Tuscany and Assisi at the Dawn of the Trecento
Donal Cooper
7. Simone Martini's 'Treaty with the House of Santa Fiora' in Siena's Palazzo Pubblico: Its Date and Significance
Thomas De Wesselow
8. Crisis and Charity in Fourteenth-Century Florence: Ambrogio Lorenzetti's Saint Nicholas Panels for San Procolo
Janet Robson
9. Father of Light: Giotto and the Beatific Vision in the Baroncelli Chapel
Virginia Brilliant
10. Painter-Illuminator Workshops and the Church of San Giorgio a Ruballa: The Case of Bernardo Daddi and Pacino di Bonaguida
Bryan C. Keene
11. Patterns of Holiness: A
Virgin Lactans in a Franciscan context
Beth Williamson
12. A New Angle on Simone Martini's
Holy Family James Alexander Cameron
13. Artistic Appropriation, Institutional Identity and Civic Religion in Fourteenth-Century Siena: The Byzantine Treasury of the Hospital of Santa Maria della Scala
Stefania Gerevini
14. Visual Religious Education in Late Medieval Florence: Zanobi Perini, the
Leggenda di Santo Tobia, and the Misericordia
Federico Botana
15. Saints and Status in Late Medieval and Early Renaissance Florence
Sally J. Cornelison
Select BibliographyPublications by Joanna Cannon Eowyn Kerr-Di Carlo and Imogen TedburyIndexTabula Gratulatoria
About the author
Edited by Donal Cooper and Beth Williamson
Summary
Joanna Cannon's scholarship and teaching have helped shape the historical study of thirteenth- and fourteenth-century Italian art; this essay collection by her former students is a tribute to her work.
