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Zusatztext This is a book like no other on the history of women in film and the fight for gender equality. Using the Swedish film industry as its case study it sheds new and bright light on historical factors that have always constrained women and the continuing influence of that history on the contemporary industry that has become known for its gender equality through the SFI's leadership. The range of approaches by the authors from investigations of legal rights to authorship and work and pay conditions for actors to the use of interviews with filmmakers and analysis of images of women on screen brings together feminist film studies and production studies in an innovative and comprehensive way. This is a call to us all not to ease up or become complacent about the ongoing and complex work required to make our film industries, film histories and the art of film itself inclusive. Informationen zum Autor Louise Wallenberg is Professor in Fashion Studies at Stockholm University, Sweden. She holds a PhD in Film Studies, and she was the establishing director of the Centre for Fashion Studies between 2007 and 2013. Among her publications are the collections MODE (2009); Nordic Fashion Studies (2011); Mode och modernism (2014); Fashion, Film, and the 1960s (2017); Fashion and Modernism (2018); What about all these women? (2022); and Ingmar Bergman at the Crossroads (2022). Frantzeska Papadopoulou is Associate Professor in Intellectual Property Rights and the Head of the IP Group at the Law Faculty of Stockholm University, Sweden. She is one of the founders of the Stockholm IP Law Review and has extensive experience as a practitioner in the field of patent law and regulatory rights. Maaret Koskinen is Professor in Film Studies at Stockholm University, Sweden. She was also film critic in Sweden’s largest daily Dagens Nyheter (1981-2011) and Board Member of the Swedish Film Institute (2011-2016). Her latest publication is “Involuntary Dogma restrictions: Orca and COVID-19 screen culture” (2021). Other publications include Ingmar Bergman’s THE SILENCE. Pictures in the Typewriter, Writings on the Screen (2010); Ingmar Bergman y sus primeros escritos. En el principio era la palabra (2017); and the forthcoming Ingmar Bergman at the Crossroads (2022). Tytti Soila is Professor emeritus in the Department of Media Studies at Stockholm University, Sweden. Soila is the editor of Cinema of Scandinavia, 24 Frames (2005), Stellar Encounters: Stardom European Film (2009), and co-editor of Nordic National Cinemas, a History of Popular Film (1998). Klappentext In the aftermath of the MeToo movement, during an ongoing pandemic, and in the midst of repeated demands for a 50/50 split between men and women in above-the-line positions, this book analyzes and interrogates the politics of gender focusing on the Swedish film industry, often considered to be the most "gender equal" film industry worldwide. While this gender equality (with a considerable proportion of women behind the camera) is much due to policies carried out of the state funded Swedish Film Institute, women filmmakers in Sweden still struggle with the same problems as do women in other national film industries. These problems entail having smaller production and distribution budgets than men and working in an environment involving recurring scandals of gender discrimination and sexual harassment. This open access book looks behind the statistics and explores the often complex cultural, legal, and political conditions under which women have entered a male-dominated industry and discusses women's strategies and efforts to promote change while providing evidence on how women's presence has challenged the industry by provoking critical reactions and introducing new ways to portray women on screen. Using a wide range of different sources (e.g....
