Fr. 70.00

Raymond Jonson and the Spiritual in Modernist and Abstract Painting

English · Paperback / Softback

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Description

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This is the most thorough and detailed monograph on the artwork of Raymond Jonson.


List of contents

Contents
Acknowledgments
List of Illustrations
Introduction: Raymond Jonson and Twentieth Century American Art: Reconsidering the Canonical in American Art History and the Spiritual in American Modernist Painting
Chapter One: "Art Is as Broad as Space": Jonson’s Early Years in the West and Chicago
Chapter Two: "The Land of Sunshine and Color and Tragedy": New Mexico and Jonson’s Landscape Paintings and Compositions
Chapter Three: "These Are the Second Attack on the Abstract": the Thematic, Conceptual Series Paintings of 1929-1936
Chapter Four: "A More Intense Participation in the Life of the Spirit": Jonson’s First Totally Abstract Paintings, His Theories of Art and the Transcendental Painting Group
Chapter Five: "Fast Arriving and Spontaneous Combustions of Color–space–line and Design": Absolute Painting, 1938-1950
Chapter Six: "Causing the Surface to Come to Life": Jonson’s Late Career, 1950-1978
References
Index

About the author










Herbert R. Hartel, Jr.

Summary

This is the most thorough and detailed monograph on the artwork of Raymond Jonson.

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