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The book sharpens our critique of the relationship between direct political action, its media representation, and the role it assigns to architecture - as played out globally in the age of mass media.
List of contents
Weaponising Architecture Graham Cairns Part One 1. Screening the Capitol Riots Annie Dell’Aria 2. Housing Populism: Constructing the "Little Man’s" House, Deconstructing the "Queer" Home Malcolm Rio 3. Representation and Refusal: From State Architecture to Highway Protests Jeffrey Kruth 4. Architecture and Disciplinary Knowledge: A Case Study of Hong Kong’s Heritage and Politics Isaac Leung 5. Mediating Consensus and Enacting Dissensus: Contested Space, Architecture and the Limits of Representation Joern Langhorst Intersection 6. Architecture Journalism and the Proto-Political Peggy Deamer and Ian Volner Part Two 7. The Press Photography of ‘Red Vienna’, 1929–1938 Eva Branscome 8. Diplomacy Under Siege: Belgium’s Diplomatic Patrimony as Political Target during the Boxer Rebellion (1900) and the Lumumba Assassination (1961) Charlotte Rottiers and Bram De Maeyer 9. Social Infrastructure and Disintegration, Statecraft and Democracy. Making an Example of Broadwater Farm Estate Alfie Peacock 10. Germania-on-Thames Murray Fraser 11. The Pornographic Scene of Insurrection. On Disimaging the Architecture of Democracy from the Imagery of the Potemkin Steps to the Reimaging of the Capitol Riot Nadir Lahiji Index
About the author
Graham Cairns is an academic and author in the field of architecture who has written extensively on film, advertising and political communication. He has held Visiting Professor positions at universities in Spain, the UK, Mexico, the Gambia, South Africa and the US. He has led academic departments in the UK and the US. He has worked in architectural studios in London and Hong Kong and previously founded and ran a performing arts organisation, Hybrid Artworks, specialised in video installation and performance writing. He is the author and editor of multiple books and articles on architecture as both a form of visual culture and a socio-political construct, including the Routledge volume that preceded this one Reification and Representation – Architecture in the Politico-Media-Complex. He is currently Director of the academic research organisation AMPS (Architecture, Media, Politics, Society), and Executive Editor of its associated journal Architecture_MPS.
Summary
The book sharpens our critique of the relationship between direct political action, its media representation, and the role it assigns to architecture - as played out globally in the age of mass media.
