Fr. 46.90

Interpreting Popular Music

English · Paperback / Softback

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Description

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"[An] impressive and important contribution to popular music studies. . .[Brackett's] work could function not just as a model for popular music analysis but also as a very helpful introduction to popular music culture and history. Starting from a musicological perspective, Brackett addresses many of the problems raised by the sociological account of popular music that has so far dominated the field. . . . should become essential reading in any popular music course."—Simon Frith, author of Performing Rites: On the Value of Popular Music

List of contents

Preface

1 Introduction
Prelude
I. Codes and competences
II. Who is the author?
III. Musicology and popular music
IV. Postlude

2 Family values in music? Billie Holiday's and Bing Crosby's
"I'll Be Seeing You"
I. A tale of two (or three) recordings
II. Critical discourse
III. Biographical discourse
IV. Style and history
V. Performance, effect, and affect

3 When you're lookin' at Hank (you're looking at country)
I. Lyrics, metanarratives, and the great authenticity debate
II. Sound, performance, gender, and the hanky-tonk
III. "A feeling called the blues"
IV. The emergence of "country-western"

4 James Brown's "Superbad" and the double-voiced utterance
I. The discursive space of black music
II. Signifyin(g)-words and performance
III. Musical signifyin(g)

5 Writing, music, dancing, and architecture in Elvis Costello's
"Pills and Soap"
I. The "popular aesthetic"
II. Style and aesthetics
III. Interpretation and (post)modern pop
IV. A question of influence

6 Afterword: the citizens of Simpleton

Appendix
A. Reading the spectrum photos
B. Registral terminology

Notes
Bibliography
Select discography
Index

About the author

David Brackett is Assistant Professor of Music at SUNY, Binghamton.

Summary

There is a well-developed vocabulary for discussing classical music, but when it comes to popular music, how do we analyze its effects and its meaning? This text demonstrates how listeners form opinions about popular songs, and how they come to attribute a rich variety of meaning to them.

Product details

Authors Brackett, David Brackett, Brackett David
Publisher University Of California Press
 
Languages English
Product format Paperback / Softback
Released 30.11.2000
 
EAN 9780520225411
ISBN 978-0-520-22541-1
No. of pages 275
Dimensions 150 mm x 230 mm x 20 mm
Subjects Humanities, art, music > Music > Music theory

MUSIC / Genres & Styles / General, MUSIC / Instruction & Study / Theory, Theory of music & musicology, Music: styles and genres, Music: styles & genres, Theory of music and musicology

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