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Zusatztext Kenneth Smith and Stephen Overy present a unique approach to the analysis of popular music that links conventional music theoretic and Freudian/Lacanian psychoanalytic concepts providing the analyst a window into the unconscious drives shaping popular music. Informationen zum Autor Kenneth Smith is Professor of music at the University of Liverpool, UK, and President of the Society for Music Analysis. He is the author of Skryabin, Philosophy and the Music of Desire (2017) and Desire in Chromatic Harmony (2020) and co-editor of The Routledge Companion to Popular Music Analysis (2018). Stephen Overy is a lecturer in philosophy at Newcastle University, UK. He specializes in philosophy of the unconscious and desire, situating the work of a line of thinkers from Kant to Deleuze in relation to its implications for materialism. Klappentext What happens in our unconscious minds when we listen to, produce or perform popular music? The Unconscious - a much misunderstood concept from philosophy and psychology - works through human subjects as we produce music and can be traced through the music we engage with. Through a new collaboration between music theorist and philosopher, Smith and Overy present the long history of the unconscious and its related concepts, working systematically through philosophers such as Schopenhauer and Nietzsche, psychoanalysts such as Freud and Lacan, to theorists such as Deleuze and Kristeva. The theories offered are vital to follow the psychological complexity of popular music, demonstrated through close readings of individual songs, albums, artists, genres, and popular music practices. Among countless artists, Listening to the Unconscious draws from Prince to Sufjan Stevens, from Robyn to Xiu Xiu, from Joanna Newsom to Arcade Fire, from PJ Harvey to LCD Sound System, each of whom offer exciting inroads into the fascinating worlds of our unconscious musical minds. And in return, theories of the unconscious can perhaps takes us deeper into the heart of popular music. Vorwort An examination of the unconscious as it relates to popular music and the first truly interdisciplinary book on philosophy and popular music with equal weight given to each discipline. Zusammenfassung What happens in our unconscious minds when we listen to, produce or perform popular music? The Unconscious – a much misunderstood concept from philosophy and psychology – works through human subjects as we produce music and can be traced through the music we engage with. Through a new collaboration between music theorist and philosopher, Smith and Overy present the long history of the unconscious and its related concepts, working systematically through philosophers such as Schopenhauer and Nietzsche, psychoanalysts such as Freud and Lacan, to theorists such as Deleuze and Kristeva. The theories offered are vital to follow the psychological complexity of popular music, demonstrated through close readings of individual songs, albums, artists, genres, and popular music practices. Among countless artists, Listening to the Unconscious draws from Prince to Sufjan Stevens, from Robyn to Xiu Xiu, from Joanna Newsom to Arcade Fire, from PJ Harvey to LCD Sound System, each of whom offer exciting inroads into the fascinating worlds of our unconscious musical minds. And in return, theories of the unconscious can perhaps takes us deeper into the heart of popular music. Inhaltsverzeichnis Introduction1. Charting Three Freudian Hypotheses with Pop Music: the economic, the topographic, the structural2. Freud, Music, and the Psychological Condition3. Bright Eyes (and friends) and the Antlers Meet Jacques Lacan4. Phallocentrism, Sexuation and the Chora, from Lacan to Kristeva; Gaga to Björk5. The Death Drive and Unconscious Production6. “Do you want to be the ebb of this great tide?” Lacan, Freud, Nietzsche, Deleuze,...
