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Zusatztext In an age when most people watch that most popular sport in the world – football on television screens, this important, innovative and forensic text compares the sound of football in the stadium to that experienced on the screen thereby filling a major gap in the field. A first! Informationen zum Autor Nicolai Jørgensgaard Graakjær is Professor of Music and Sound in Market Communication in the Department of Communication and Psychology at Aalborg University, Denmark. His has served as the Editor-in-chief of MedieKultur: Journal of Communication Research (2010-2014) and he is the current Editor-in-chief of the book series MÆRKK – Æstetik og Kommunikation . His publications include Analyzing Music in Advertising (2015), Sound and Genre in Film and Television (2010, Co-editor), and Music in Advertising (2009, Co-editor). Klappentext The sounds of spectators at football (soccer) are often highlighted - by spectators, tourists, commentators, journalists, scholars, media producers, etc. - as crucial for the experience of football. These sounds are often said to contribute significantly to the production (at the stadium) and conveyance (in televised broadcast) of 'atmosphere.' This book addresses why and how spectator sounds contribute to the experience of watching in these environments and what characterizes spectator sounds in terms of their structure, distribution and significance. Based on an examination of empirical materials - including the sounds of football matches from the English Premier League as they emerge both at the stadium and in the televised broadcast - this book systematically dissects the sounds of football watching. Zusammenfassung The sounds of spectators at football (soccer) are often highlighted - by spectators! tourists! commentators! journalists! scholars! media producers! etc. - as crucial for the experience of football. These sounds are often said to contribute significantly to the production (at the stadium) and conveyance (in televised broadcast) of 'atmosphere.' This book addresses why and how spectator sounds contribute to the experience of watching in these environments and what characterizes spectator sounds in terms of their structure! distribution and significance. Based on an examination of empirical materials - including the sounds of football matches from the English Premier League as they emerge both at the stadium and in the televised broadcast - this book systematically dissects the sounds of football watching. Inhaltsverzeichnis 1. Introductions 2. Overview of existing contributions 3. The stadium setting 4. The setting of the televised broadcast 5. Conclusions ReferencesAppendixIndex ...
