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"Featuring about 150 loans from China's Hubei Provincial Museum, this exhibition, set to open at the Asian Art Museum of San Francisco under the name Lost Kingdoms of Ancient China, examines the new finds of Zeng and Chu tombs together to explore the cultural landscape of the southern borderland of the Zhou dynasty. It also reveals the legendary rising story of the phoenix kingdom erased by the Qin, highlighting the importance of the middle Yangtze River region in forming a southern style in Chinese art. For a better understanding of the Zeng and Chu material, the exhibition catalogue consists of seven essays to elaborate the introduction to the remarkable art and culture of this region, with entries of about 150 works in six categories (jade, bronze ritual vessels, musical instruments and weapons, lacquerware for luxury and ceremony, funerary bronze and wood objects, and textiles and artefacts with designs). Seven contributors have written for this catalogue, including five outside scholars with expertise on different subjects"--
List of contents
Contents
Forewords Jay Xu and Fang Qin
Acknowledgments Fan J. Zhang
Maps
Introduction Fan J. Zhang
Part I Exploring Zhou’s Southern Borderland
ONE Unearthing a Lost State: The Discovery of Zeng Jay Xu
TWO Discovering Chu: The Legacy of the Southern Lands Fan J. Zhang
THREE Art and Religion on the Ancient Jiang-Han Plain John S. Major
Part II Material Culture of the Middle Yangzi River Region
FOUR Jades of the Chu and Zeng States Colin Mackenzie
FIVE Ritual and Musical Traditions in the States of the Jiang-Han Plain Haicheng Wang
SIX Obsession with the Supernatural and Luxuries: Chu-Style Lacquerware, Textiles,
and Funerary Objects Guolong Lai and I-fen Huang
Part III Catalogue
Jades, Agate, and Glass
Bronze Ritual Vessels
Musical Instruments and Weapons
Lacquerwar
Special Mortuary Objects
Textiles, Gold, and Miscellanea
Inscriptions
Reigns of Zhou Kings and Zeng and Chu Lords
Chronology
Bibliography
Index
About the author
Editor and lead curator Fan Jeremy Zhang is the Asian Art Museum Barbara and Gerson Bakar Curator of Chinese art. Trained as an archaeologist, he is the curator of numerous exhibitions and the editor/author of several catalogues including Royal Taste: The Art of Princely Courts in Fifteenth-Century China.
Jay Xu, The Barbara Bass Bakar director and CEO, Asian Art Museum Chong-Moon Lee Center for Asian Art and Culture
John Major, independent researcher in New York City
Colin Mackenzie, curator of Chinese art, Art Institute of Chicago
Haicheng Wang, associate professor of art history, Mary and Cheney Cowles Endowed Professor, University of Washington
Guolong Lai, associate professor of Chinese art and archaeology, University of Florida
I-fen Huang, assistant art curator, National Palace Museum, Taiwan
Summary
This stunning exhibition unveils the remarkable art and historical legacy of two mysterious kingdoms of ancient China.
Phoenix Kingdoms brings to life the distinctive Bronze Age cultures that flourished along the middle course of the Yangzi River in South Central China about 2,500 years ago. With over 150 objects on loan from five major Chinese museums, Phoenix Kingdoms explores the artistic and spiritual landscape of the southern borderland of the Zhou dynasty, featuring remarkable archaeological finds unearthed from aristocratic tombs of the phoenix-worshipping Zeng and Chu kingdoms. By revealing the splendid material cultures of these legendary states, whose history has only recently been recovered, Phoenix Kingdoms highlights the importance of this region in forming a southern style that influenced centuries of Chinese art.
This exhibition catalogue includes six essays that contextualize the stylistically rich material—mythical creatures, elaborate patterns, and elegant forms—and introduces readers to the technologically and artistically sophisticated cultures that thrived before China’s first empire. Lavishly illustrated with over 240 images, Phoenix Kingdoms showcases works from the exhibition across six categories—jades, bronze ritual vessels, musical instruments and weapons, lacquerware for luxury and ceremony, funerary bronze and wood objects, and textiles and unique objects featuring distinctive designs—many of which are considered national treasures.
Published in association with the Asian Art Museum of San Francisco.
