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Reveals the brilliant musical and pedagogical thinking of the famed eighteenth- and early nineteenth-century Neapolitan composer and teacher of royal students.
List of contents
Preface and Acknowledgments
Preliminary Remarks
Abbreviations
Illustrations
Introduction
Chapter 1 Giovanni Paisiello, Composer and Teacher
Chapter 2 The Sources
Chapter 3 Instruction at the Conservatories
Chapter 4 Paisiello's
Regole (1782)
Chapter 5 Practical Examples from Paisiello's Circle
Chapter 6 The Practical Application of Partimenti Today
Afterword
Appendix I Incipits and Sources for the Partimenti of Giovanni Paisiello
Appendix II Concordance for the Sources of Giovanni Paisiello's Partimenti
Appendix III Disposizioni à 2 and Disposizioni à 3 on Partimento Gj2319 by Giovanni Paisiello
Appendix IV Partimenti from Giovanni Paisiello's
Regole (1782)
Appendix V Historical Realizations of Partimenti by Francesco Durante from
The Vessella Manuscript and
The Gallipoli ManuscriptAppendix VI "Preludio" and "Rondò" in B-flat major by Giovanni Paisiello, both in the Original Version and in a Suggested Variation by This Author
Appendix VII Emanuele Imbimbo:
Observations sur l'enseignement mutuel (1821)
Appendix VIII A Solfeggio Attributed to Giovanni Paisiello in its Original Version and with a Varied Upper Voice by This Author
Appendix IX Giovanni Paisiello,
Regole per bene accompagnare il Partimento, St. Petersburg, 1782
Appendix X Newly Discovered Partimenti by Giovanni PaisielloPrimary sources
Manuscripts
Publications
Bibliography
Electronic Resources
Index
About the author
NICOLETA PARASCHIVESCU teaches at the Music Academy in Basel. She has a PhD from the University of Leiden.
Summary
Reveals the brilliant musical and pedagogical thinking of the famed eighteenth- and early nineteenth-century Neapolitan composer and teacher of royal students.
