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Thirty years in the making, William Gass's second novel first appeared on the literary scene in 1995, at which time it was promptly hailed as an indisputable masterpiece. The story of a middle aged professor who, upon completion of his massive historical study, "Guilt and Innocence in Hitler's Germany," finds himself writing a novel about his own life instead of the introduction to his magnum opus. The Tunnel meditates on history, hatred, unhappiness, and, above all, language.
About the author
William H. Gass (1924-2017) is an essayist, novelist, and literary critic. He grew up in Ohio and is a former professor of philosophy at Washington University. Among his books are six works of fiction and nine books of nonfiction, including On Being Blue (1976), Tests of Time (2002), A Temple of Texts (2006), and Life Sentences (2012).
Summary
Thirty years in the making, William Gass's second novel first appeared on the literary scene in 1995, at which time it was promptly hailed as an indisputable masterpiece. The story of a middle aged professor who, upon completion of his massive historical study, "Guilt and Innocence in Hitler's Germany," finds himself writing a novel about his own life instead of the introduction to his magnum opus. The Tunnel meditates on history, hatred, unhappiness, and, above all, language.
Foreword
Print and digital publicity targeting the New Yorker, Harper’s, Paris Review, NPR, New York Times, Bookforum, New York Review of Books, London Review of Books, LARB, Literary Hub
Campaign emphasizing Dalkey Archive Essentials series
New introduction from recognized writer
Marketing highlighting author’s past praise
Targeted bookseller mailing
Promotion/outreach to university English and comparative literature departments, Washington University in St. Louis
Virtual and in-person events centered on book’s importance, author’s legacy
Promotion on publisher’s website and social media; promotion via e-newsletters to booksellers, reviewers
Additional text
“Each paragraph, each sentence, every clause, every phrase, has been burnished breathless, willfully wrought, stippled stark, with an obsessiveness bordering on Brodskey baroque. The eye can't rest, nor the mind mist. . . . Gass has written a splendid, daunting, loathsome novel."—John Leonard, Nation
