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An ecological parable set on a Caribbean island in the 17th Century. The hero is a clubfooted individual by the name of Phosphor who invents a prototype of the camera to record the island's beauty. The project is financed by an unscrupulous patron who intends to exploit it for very non-ecological purposes. By the author of The Jade Cabinet.
About the author
Rikki Ducornet is a transdisciplinary artist. Her work is animated by an interest in nature, Eros, tyranny and the transcendent capacities of the creative imagination. She is a poet, fiction writer, essayist, and artist, and her fiction has been translated into fifteen languages. Her art has been exhibited internationally, most recently with Amnesty International’s traveling exhibit
I Welcome, focused on the refugee crisis. She has received numerous fellowships and awards including an Arts and Letters Award from the American Academy of Arts and Letters, the Bard College Arts and Letters Award, the Prix Guerlain, a Critics’ Choice Award, and the Lannan Literary Award for Fiction. Her novel
The Jade Cabinet was a finalist for the National Book Critics Circle Award.
Summary
Wildly comic, erotic, and perverse, Rikki Ducornet’s dazzling novel, Phosphor in Dreamland, explores the relationship between power and madness, nature and its exploitation, pornography and art, innocence and depravity. Set on the imaginary Caribbean island of Birdland, the novel takes the form of a series of letters from a current resident to an old friend describing the island’s seventeenth-century history that brings together the violent Inquisition, the thoughtless extinction of the island’s exotic fauna, and the amorous story of the deformed artist-philosopher-inventor Phosphor and his impassioned, obsessional love for the beautiful Extravaganza. The Jade Cabinet, Ducornet’s novel that was a finalist for the National Book Critics Circle Award, was described by one reviewer as “Jane Austen meets Angela Carter via Lewis Carroll.” Phosphor in Dreamland can be described as Jonathan Swift meets Angela Carter via Jorge Luis Borges. This is Ducornet at her magical best.
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“Linguistically explosive. . . . One of the most interesting American writers around.” —The Nation
