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Informationen zum Autor Alan Meades teaches the undergraduate and postgraduate Games Design courses at Canterbury Christ Church University, UK. He is the author of Understanding Counterplay in Videogames . Klappentext "A history of the arcade in British culture"-- Zusammenfassung Discover the rich, little-known history of the British amusement arcade from the 1800s to the present—with insights from industry professionals, plus rare archival photos! Amusement arcades are an important part of British culture, yet discussions of them tend to be based on American models. Alan Meades, who spent his childhood happily playing in British seaside arcades, presents the history of the arcade from its origins in traveling fairs of the 1800s to the present. Drawing on firsthand accounts of industry members and archival sources, including rare photographs and trade publications, he tells the story of the first arcades, the people who made the machines, the rise of video games, and the legislative and economic challenges spurred by public fears of moral decline. Arcade Britannia highlights the differences between British and North American arcades, especially in terms of the complex relationship between gambling and amusements. He also underlines Britain’s role in introducing coin-operated technologies into Europe, as well as the industry’s close links to America and, especially, Japan. He shows how the British arcade is a product of centuries of public play, gambling, entrepreneurship, and mechanization. Examining the arcade’s history through technological, social, cultural, biographic, and legislative perspectives, he describes a pendulum shift between control and liberalization, as well as the continued efforts of concerned moralists to limit and regulate public play. Finally, he recounts the impact on the industry of legislative challenges that included vicious taxation, questions of whether copyright law applied to video-game code, and the peculiar moment when every arcade game in Britain was considered a cinema. Inhaltsverzeichnis Series Foreword vii Preface ix Acknowledgments xiii 1 The British Arcade Versus the Mythic Arcade 1 2 From Showfolk and Sanddancers to the 1960 Gaming Act 35 3 Coin-Op Entrepreneurialism 67 4 "Get This Lousy Piece of Legislation Put Right" 95 5 Pings, Pongs, and Pioneers 121 6 Copyright Defenders and the British Videogame Crash 145 7 The Invader's Revenge 169 8 Anti-Groups, Addiction, and the Arcade as Cinema 193 9 SegaWorld, Street Fighter II , and Exporting Games to Japan 203 10 Gold Dust, 20p Fruit Machines, and Redemption 233 11 A Historic Accident 245 Notes 265 References 291 Index 315...
