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Using artist statements, theoretical writings, statistical data, historical analysis and insider testimony, British art critic Alexander Adams examines the origins, aims and spread of artivism (activism through art). His findings suggest the perception of artivism as a grassroots humanitarian movement could not be more misleading.
About the author
Alexander Adams is a British artist and writer. He studied fine art and history of art at Goldsmiths College, London. His art has been exhibited worldwide and is in the collections of the Victoria & Albert Museum (London), National Museum (Cardiff), Walker Art Gallery (Liverpool) and other museums. His art criticism has been published in
The Burlington Magazine, The Art Newspaper, Sculpture Journal, The Jackdaw, The British Art Journal, Apollo, Printmaking Today, Print Quarterly and other outlets. His poetry has been published in anthologies, broadsides and single-author volumes in the UK and USA. He was artist-in-residence at the Albers Foundation, Connecticut, in 2011. Alexander Adams is the recipient of the 2018 Artist Scholarship from the Francis Bacon MB Art Foundation, Monaco. He lives in England.
