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Informationen zum Autor David Verbuc is Assistant Professor at the Faculty of Humanities, Charles University in Prague, Czech Republic. Klappentext DIY House Shows and Music Venues in the US is an interdisciplinary study of house concerts and other types of¿DIY ("do- it- yourself") music venues and events in the United States, such as warehouses, all- ages clubs, and guerrilla shows, with its primary focus on West Coast American DIY locales. It approaches the subject not only through a cultural analysis of sound and discourse, as it is common in popular music studies, but primarily through an ethnographic examination of place, space, and community. Focusing on DIY houses, music venues, social spaces, and local and translocal cultural geographies, the author examines how American DIY communities constitute themselves in relation to their social and spatial environment. The ethnographic approach shows the inner workings of American DIY culture, and how the particular people within particular places strive to achieve a social ideal of an "intimate" community. This research contributes to the sparse range of Western popular music studies (especially regarding rock, punk, and experimental music) that approach their subject matter through a participatory ethnographic research. Zusammenfassung DIY House Shows and Music Venues in the US is an interdisciplinary study of house concerts and other types of DIY ("do- it- yourself") music venues and events in the United States, such as warehouses, all- ages clubs, and guerrilla shows, with its primary focus on West Coast American DIY locales. It approaches the subject not only through a cultural analysis of sound and discourse, as it is common in popular music studies, but primarily through an ethnographic examination of place, space, and community. Focusing on DIY houses, music venues, social spaces, and local and translocal cultural geographies, the author examines how American DIY communities constitute themselves in relation to their social and spatial environment. The ethnographic approach shows the inner workings of American DIY culture, and how the particular people within particular places strive to achieve a social ideal of an "intimate" community. This research contributes to the sparse range of Western popular music studies (especially regarding rock, punk, and experimental music) that approach their subject matter through a participatory ethnographic research. Inhaltsverzeichnis Introduction. Material and spatial constitution of DIY communities in the US.PART ONE: Physical place and social space of DIY music venues in the USChapter One. Physical place and DIY house shows in the USChapter Two. Social space and DIY venues in the USChapter Three. Private and public aspects of DIY spaces and showsPART TWO: Geographic place and DIY venues and scenes in the USChapter Four. Small college town DIY scenes: Davis and OlympiaChapter Five. Two Urban DIY Scenes: Portland, and OaklandChapter Six. Sprawling metropolis: Los Angeles, and its fragmented DIY scenesPART THREE: Spatial constitution of DIY scenes and communities in the USChapter Seven. DIY individuals, music groups, houses, and shows: assembling the local DIY communityChapter Eight. DIY touring practices: assembling the translocal DIY communityBibliographyAudio and video sources...
