Modernism in Trieste - The Habsburg Mediterranean Literary Invention of Europe, 1870 1945

When we think about the process of European unification, our conversations inevitably ponder questions of economic cooperation and international politics. Salvatore Pappalardo offers a new and engaging perspective, arguing that the idea of European unity is also the product of a modern literary imagination. This book examines the idea of Europe in the modernist literature of primarily Robert Musil, Italo Svevo, and James Joyce (but also of Theodor Daubler and Srecko Kosovel), all authors who had a deep connection with the port city of Trieste. Writing after World War I, when the contested city joined Italy, these authors resisted the easy nostalgia of the postwar period, radically reimagining the origins of Europe in the Mediterranean culture of the Phoenicians, contrasting a 19th-century nationalist discourse that saw Europe as the heir of a Greek and Roman legacy. These writers saw the Adriatic city, a cosmopolitan bazaar under the Habsburg Empire, as a social laboratory of European integration. seeks to fill a critical gap in the extant scholarship, securing the literary history of Trieste within the context of current research on Habsburg and Austrian literature.>

Product details

• Authors: Salvatore Pappalardo
• Assisted by: Imke Meyer (Editor)
• Publisher: Bloomsbury Academic
• Languages: English
• Product format: Paperback / Softback
• Released: 30.09.2022
• EAN: 9781501369957
• ISBN: 978-1-5013-6995-7
• No. of pages: 280
• Dimensions: 136 mm x 214 mm x 18 mm
• Series: New Directions in German Studi; New Directions in German Studies
• Subjects: Humanities, art, music > Linguistics and literary studies > German linguistics / literary studies; Germany, LITERARY CRITICISM / European / German, LITERARY CRITICISM / Modern / 20th Century, Literary studies: from c 1900 -, Literary studies: fiction, novelists & prose writers, Literary studies: fiction, novelists and prose writers, Literary studies: c 1900 to c 2000, LITERARY CRITICISM / Novel as Form