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Zusatztext This book is an important and very welcome addition to the rapidly-expanding area of word and music studies. Both 'literature' and 'music' are interpreted very broadly to include a wide ranging array of discussions in which the creative tension between these two signifying systems is explored. The notion of the universal in music is problematized! followed by a broad investigation of disparate musical forms! ranging from opera to heavy metal! with an equally broad range of literature. The thirty seven contributors come from a large variety of disciplinary backgrounds and provide a fascinating contemporary snapshot of word and music studies.?Dr Michael Halliwell! Associate Professor Vocal Studies and Opera! University of Sydney Conservatorium of MusicPresident! International Association for Word and Music Studies'This volume will be of immense value to scholars and students of modern music and modern literature as well as to those with interdisciplinary interests. It also has much to offer readers with wide-ranging theoretical interests in issues of modernity. As a whole! the volume contributes significantly to current conversations about music and literature - severally and in combination - and to wider conversations about the importance of the arts and humanities. Collectively! the chapters in this book offer a fertile and compelling exploration of key questions of music and modernity.'Delia DaSousa Informationen zum Autor Rachael Durkin is Senior Lecturer in Music in the Department of Humanities at Northumbria University. Peter Dayan is Honorary Professorial Fellow in Word and Music Studies at the University of Edinburgh. From 2014 to 2019, he was also Obel Visiting Professor at the University of Aalborg in Denmark. Axel Englund is Professor of Literature and Wallenberg Academy Fellow in the Department of Culture and Aesthetics at Stockholm University. Katharina Clausius is Assistant Professor of Comparative Literature and Intermedial Studies in the Département de littératures et de langues du monde at the Université de Montréal. Klappentext Modern literature has always been obsessed by music. It cannot seem to think about itself without obsessing about music. And music has returned the favour. The Routledge Companion to Music and Modern Literature addresses this relationship as a significant contribution to the burgeoning field of word and music studies. Zusammenfassung Modern literature has always been obsessed by music. It cannot seem to think about itself without obsessing about music. And music has returned the favour. The Routledge Companion to Music and Modern Literature addresses this relationship as a significant contribution to the burgeoning field of word and music studies. Inhaltsverzeichnis PART I Questioning the Universal 1. The Universal: Now You See It, Now You Don’t Peter Dayan 2. Music, Literature, and the Aesthetics of Eugenics Ryan Weber 3. ‘That is the music which makes men mad’: Hungarian Nervous Music in Fin-de-Siècle Gay Literature Zsolt Bojti 4. Music and Gender Roles in Hector Berlioz’s Euphonia and George Sand’s Le Dernier Amour Nina Rolland 5. Re-writing Music Lyrics as Resistant Poetry in Tyehima Jess’s Olio and Morgan Parker’s There Are More Beautiful Things Than Beyoncé Alexandra Reznik 6. On Themes and Variations: Music and Literature in Poststructuralism Sarah Hickmott 7. Towards Spirit: Samuel Beckett’s Phenomenology of Music Helen Bailey 8. Music in Postcolonial Literature Christin Hoene PART II Opera and Literature 9. Modern Fiction and Opera: Representing Interiority Linda Hutcheon and Michael Hutcheon 10. Trouble in Paradise: Colette’s Claudine s’...
