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Each Macmillan Casebook concerns a classic of English literature or significant modern work. (Occasional volumes in the series will deal with closely related works.) Each casebook brings together the best of modern criticism, along with a generous selection of earlier reviews and comment, and any useful information that readers might need. The introduction discusses the critical reputation of the work from the time of its publication to the present day. Each volume aims to give its readers a heightened sense of the interest and vitality of the work under discussion, and of the value of a critical response.
List of contents
Acknowledgements.- General Editor's Preface.- Introduction.- Browning's Poems as Originally Published.- PART 1: TWO SOURCES Giorgio Vasari: from 'The Florentine Painter, Fra Filippo Lippi'.- Giorgio Vasari: from 'The Most Excellent Florentine Painter, Andrea del Sarto'.- PART 2: SOME VICTORIAN ASSESSMENTS John Stuart Mill.- George Eliot.- John Ruskin.- Swinburne.- Gerard Manley Hopkins.- Henry James.- PART 3: TWENTIETH-CENTURY VIEWS: 1. GENERAL ESSAYS G. K. Chesterton: Browning as Literary Artist.- E. D. H. Johnson: Authority and the Rebellious Heart.- Robert Langbaum: The Dramatic Monologue: Sympathy versus Judgment.- J. Hillis Miller: from The Disappearance of God.- Particia M. Ball: Browning's Godot.- PART 4: TWENTIETH-CENTURY VIEWS: 2. ESSAYS ON INDIVIDUAL POEMS Roma A. Kind JR: Ecclesiastical Vision in Stone: 'The Bishop Orders His Tomb'.- W. O. Raymond: 'The Statue and the Bust'.- Richard D. Altick: 'Andrea del Sarto': The Kingdom of Hell is Within.- PART 5: TWO PARODIES C. S. Calverley: The Cock and the Bull.- J. K. Stephen: The Last Ride Together (From Her Point of View).- Suggestions for Further Reading.- Notes on Contributors.- General Index.- Index to Browning's Poems.
