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James Boyd White invites readers to join him in a close and engaged encounter with St. Augustine's
Confessions. He offers an accessible guide to reading the text in Latin-even for those who have never studied the language-guiding readers to experience the immediacy, urgency, and vitality of Augustine's writing.
List of contents
Preface
Acknowledgments
An Outline of Augustine’s Life up to the Composition of the Confessions
Part I
1. The Shape of the Confessions
2. The First Three Sentences (Book 1)
3. The Movement from One Mode of Thought to Another (Book 1)
4. Remembering Early Childhood and Language Breaking Down (Book 1)
Part II
5. Adolescence, Sex, and the Stolen Pears (Book 2)
6. Love, Philosophy, and Monnica’s Dream (Book 3)
7. Friendship and Struggles with Manicheism (book 4)
8. From the Manichees to Ambrose (Book 5)
9. Certainty and Uncertainty (Book 6)
10. Imagining God and the Origin of Evil (Book 7)
11. The Conversion in the Garden (Book 8)
12. What It Meant (Book 9)
Part III
13. Memory, Sin, and Redemption (Book 10)
14. Time (Book 11)
15. Reading Genesis: The Creation Story (Book 12)
16. “Knock and It Shall Be Opened unto You” (Book 13)
Coda
Notes
Index
About the author
James Boyd White is the L. Hart Wright Professor of Law Emeritus and professor of English emeritus at the University of Michigan and a member of the American Academy of Arts and Sciences. His many books include The Legal Imagination: Studies in the Nature of Legal Thought and Expression (1973) and, most recently, Keep Law Alive (2019). He is considered the founder of the law and literature movement.
Summary
St. Augustine’s Confessions is heralded as a classic of Western culture. Yet when James Boyd White first tried to read it in translation, it seemed utterly dull. Its ideas struck him as platitudinous and its prose felt drab. It was only when he started to read the text in Latin that he began to see the originality and depth of Augustine’s work.
In Let in the Light, White invites readers to join him in a close and engaged encounter with the Confessions in which they will come to share his experience of the book’s power and profundity by reading at least some of it in Augustine’s own language. He offers an accessible guide to reading the text in Latin, line by line—even for those who have never studied the language.
Equally attuned to the resonances of individual words and the deeper currents of Augustine’s culture, Let in the Light considers how the form and nuances of the Latin text allow greater insight into the work and its author. White shows how to read Augustine’s prose with care and imagination, rewarding sustained attention and broader reflection.
Let in the Light brings new life to a classic work, guiding readers to experience the immediacy, urgency, and vitality of Augustine’s Confessions.
Additional text
Let in the Light offers a better way to read a work of literature of enormous and enduring importance. White argues that our easy familiarity with the English language and the inevitable distance and distortions associated with any translation create a barrier between Augustine and his readers. He is a lively, clear, and engaging writer, and the book is extremely sophisticated about literary criticism but wears its sophistication lightly.
