Read more
The collection comprises contributions from leading artist-theorists in the fields of necropolitics and tactical media, and from increasingly influential scholars of biomediality and urban performativity
List of contents
Prologue, Natasha Lushetich
Part I: Sedimentations: Race and Gender
Chapter 1: What is the Aesthetics of Necropolitics?, Marina Gržini¿
Chapter 2: Get Out: From Atlantic Slavery to Black Lives Matter, Sarah Juliet Lauro
Chapter 3: Aesthetic Autonomy at the Border: Notes on Necro-Art, Verónica Tello
Part II: Abstractions: Technological, Financial, Cultural, Scientific
Chapter 4: Inside the Corpse of Abstraction, Franco Berardi
Chapter 5: Greenness: Sketching the Limits of a Normative Fetish, Jens Hauser
Chapter 6: Desire, DNA, and Transgenetic Technology: Life After Necropolitics, Mi You
Part III: Tactics: Detouring the Limits, Overbidding, Mourning
Chapter 7: Necropolitics and the Dark Comedy of the Posthuman, Critical Art Ensemble
Chapter 8: Dirty your Media: Artists' Experiments in Bio-Sovereignty, Tiffany Funk
Chapter 9: Intimacy, Ignorance, and Mourning in Iowa Hog Confinement, Malin Palani
Epilogue: Archipelagoes of the Unseen Islands of the Forgotten, May Joseph
About the Contributors
Index
About the author
Natasha Lushetich is Senior Lecturer in Interdisciplinary Practices & Visual Studies at LaSalle, Singapore, having previously lectured at the University of Exeter. Her research focuses on the interplay of performativity, hegemony, and biopolitics.
Summary
The collection comprises contributions from leading artist-theorists in the fields of necropolitics and tactical media, and from increasingly influential scholars of biomediality and urban performativity
