Read more
List of contents
Introduction
Section I. Limits of Representation Practice
Chapter 1: Feminism Modified
Chapter 2: Feminism and Danger in the Global City
Section II. U.S. Multicultural
Chapter 3: Gendering Difference: Race and Heteronormativity
Chapter 4: Global Drag Show
Section III. New Identifications, New Interventions
Chapter 5: Technologies of Violence, Visions of Criminality: The Evidentiary Crisis
Chapter 6: In and Out: Ideological Limits on Contemporary Citizenship
Conclusion
About the author
Sujata Moorti is Director and Professor of Gender, Sexuality, and Feminist Studies at Middlebury College, USA. She has published extensively on media representations of gender, sexuality and diasporic formations. Her previous publications include Color of Rape: Gender, Race and Democratic Public Spheres (2002) and Local Violence, Global Media: Feminist Analyses of Gendered Representations (2009).Lisa Cuklanz is Associate Professor of Communication at Boston College, USA.
Summary
Law and Order Special Victims Unit (SVU) is more popular than any other American police procedural television series, but how does its unique focus on sex crimes reflect contemporary popular culture and feminist critique, whilst also recasting the classic crime narrative? All-American TV Crime Drama is the first dedicated study of SVU and its treatment of sexual violence, gender and criminality. The book uses detailed textual and visual analyses of episodes to illuminate the assumptions underpinning the programme. Although SVU engages with issues pertaining to feminism and gender it still relies upon traditional and misogynistic tropes such as false rape charges and the monstrous mother to undermine positive views of the feminine. The show, and its backdrop, New York City thus become a stage on which national concerns about women, gender roles, the family and race are carried out. Moorti and Cuklanz unpack how the show has become a crucible for examining current attitudes towards these issues and include an analysis of its reception by its many fans in over 30 countries.
Foreword
Law and Order Special Victims Unit (SVU) is more popular than any other American police procedural television series, but how does its unique focus on sex crimes reflect contemporary popular culture and feminist critique, whilst also recasting the classic crime narrative?
