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The
book introduces the topics of Enlightenment, Counter-Enlightenment, and social demography
in Western art musics and shows their historical and sociological
importance, while exploring the concepts of "existential irony" and "sanctification," which
have not previously been the focus of any other studies.
List of contents
Table of Contents
Acknowledgements
Introduction
1. On Horizons and Research Agendas for the Sociology of Musics: Changes under the Pandemic and Social Distancing
2. On “Ethno-Existential Irony” in Western Art Musics
3. Counter-Enlightenment, the Other, and Existential Irony
4. On Migration and the Social Demography of Western Art Musics
5. On the Sociology of Musics and Counter-Enlightenment in Israel
6. On Modern Jewish Atlantic Rim and Black Atlantic Migrations
7. On the Sanctification of Western Art Musics
8. Sociological Perspectives on the Sanctification of Secular Musics
References
Index
About the author
Judah Matras is Professor Emeritus of Sociology at the Hebrew University of Jerusalem, at Carleton University, Ottawa, and at the University of Haifa. He holds degrees in Statistics (B.Sc.) and in Sociology (M.A. and Ph.D.) from the University of Chicago, and has had Visiting Professor appointments at the University of Chicago; the University of Wisconsin, Madison; the University of Washington, Seattle; the Bildungsforschung, Berlin; Harvard University; and Nuffield College, Oxford. Most of his research and publications were devoted to social inequality. stratification, and population studies, but in most recent teaching years he taught courses and seminars in the sociology of music and has presented and published a number of research papers in this field.
Summary
Thebook introduces the topics of Enlightenment, Counter-Enlightenment, and social demographyin Western art musics and shows their historical and sociologicalimportance, while exploring the concepts of “existential irony” and “sanctification,” whichhave not previously been the focus of any other studies.
